Is atmosphere of
place important in crime writing?
I’ve just
finished the latest Rebus and I wonder if I’m the only one who checks the
locations on my ipad as I read? I used to know Edinburgh fairly well. As a
young person I linked the city to Mary Queen of Scots and thought it terribly
romantic. A cousin of mine, only a few years older, remarked dourly that it was
a grim, dirty city. A friend who trained as a town planner did his work
experience in Edinburgh and took me to see some of the desperate council
estates that tourist rarely see.
If you read Ian
Rankin’s books, and I own most of them, then Edinburgh is revealed in splendid
misery. The town itself seems to breed the crimes that go on inside its
buildings and has done for centuries. The history reeks of witchcraft, murder,
grave robbers, back stabbers and their stories seem to rise out of the sooty
stones of the city.
So yes, I think
place is important and I’m wondering if Hexham is appropriate as a setting for
murder. Has there ever been a murder in Hexham? It seems there has. Records of
murder in the twelfth century, and more through the ages right up until Holly
Newton died in January this year. I doubt there’s anything I can do will to make
the pretty little market town of Hexham seem as grim as Edinburgh. There are ancient buildings, such as the Old Gaol, built in 1333 from stones taken from the Roman site at Corbridge. Surely those stones have memories? Maybe they can be made to give them up...
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