Friday, 6 December 2019

A Viking Christmas


Celebrating the Christmas Season? 

Have you ever considered that much of what you do was also done by Norse warriors? 

YES  ~ The VIKINGS! 

You don’t believe me? Well, let's think about it! 

We tell young children that Father Christmas lives in the North Pole, don’t we? Vikings were known bythe rest of the world as those marauding devils "The Northmen" at that time. Most of Scandinavia, where the Vikings originated from,  is situated above the Arctic Circle.  Thinking of those bleak regions of midnight sun, icy cold  and the weird and beautiful green lights in the winter sky, we can understand why the Vikings thought it to be the “lands of the gods” where Odin the Allfather lived. They named that special place Asgard. 

Odin was also known as Woden, which we remember in the word we use quite a lot -  Wednesday. Christmas Day is on a Wednesday this year.

Vikings believed that on the longest night in the dead of winter Odin led the "Wild Hunt" through the sky, leading his hounds in search of lost souls. Imagine him if you can: the blue-hooded and cloaked, white-bearded Giftbringer of the North on his eight-footed steed Sleipnir, crossing the midwinter sky to visit his people with gifts. I don't think I am the only person who will immediately think of Father Christmas encouraging his eight reindeer through the night sky on Christmas Eve.
Over time Odin melded with Father Christmas, then Santa Claus, St Nicholas and the Christchild. Now he is Christmas.

Yule was the original name for the midwinter festival enjoyed by ancient peoples in the northern hemisphere . It predates the Christian traditions by thousands of years in Scandinavia, marking the “rebirth” of the dying sun. People celebrated as they do now, by feasting and drinking, playing games and indoor sports to while away the time until Spring and good weather arrived once more.

The Feast of Yule lasted twelve days. Kind of ties in with our modern twelve days of Christmas, doesn't it? The Vikings honoured their Gods with feasting and religious rituals, one of which meant a sad end for a wild boar; he was offered to the god Frey of fertility and farming to ensure future productivity. The poor animal was prepared, cooked, and eaten. If your house is like mine, there is often a shoulder of pork roasted at Christmas because everyone loves crackling. No one ever thinks it is a link to the Vikings. A feast was a time when the men of early societies gathered together to hunt something large in order to feed everyone. Chances are that boar and venison where the top choices. 

Everyone has heard of the Yule log, though today it is only a chocolate dessert unless you live in a very grand mansion. Originally men went out into the forest, a dangerous undertaking in the snowy midwinter, and selected an oak log, which was decorated with runes and carvings; a sort of prayer of protection against misfortune. Everyone took  a charred piece home from the fire pit in the knowledge that  their hearth would be protected too.

You know the holly wreath you made to decorate your front door? Vikings created a giant Sunwheel which looked a lot like a Christmas wreath only much bigger. Days without sunshine were so miserable they built a Sunwheel, set it alight and rolled it down the nearest hill to attract the Sun back into doing its job.  Once the days got longer and the sun returned, everyone was happy.


Then there’s the image of the Christmas tree, twinkling away in the corner of the room. Vikings and our Scandinavian ancestors believed the trees had spirits that would leave during the winter months, so they decorated evergreen trees with food, statues of their gods, carved good luck runes, and clothes – anything they thought might entice the spirits of the tree to return the following spring.

I didn’t know Balder the god of light and goodness was killed by an arrow made of mistletoe, or that Frigga cried over her son's body; when her tears fell on the red berries they turned white and Baldur was resurrected. The Vikings believed mistletoe had the power to resurrect people; possibly our ancestors believed it too, because of the echoes of Christ’s resurrection,
which is why we still use it today in our Christmas traditions.

Worship of Odin and his companion gods spread from Scandinavian lands to the shores of the Mediterranean and to the North Sea basin. Franks and Frisians, Angles, Saxons and Jutes settled Britain, along with the Norse and naturally they brought their beliefs and customs with them. What is amazing is how these beliefs have survived and entwined themselves into our modern day traditions.





Tuesday, 3 December 2019

Keep it Simple!

In case I don't say it again this year, Happy Christmas!

Now, if you don't celebrate Christmas, I don't want to know. Simply substitute the word or phrase that suits you and yours, and I wish you all the good things that come with it.

Today I've spent time making a Christmas wreath, which is now hanging on my front door. It is done the old-fashioned way with a  wire ring and a moss "sausage" into which I have pushed  bits of fir and eucalyptus, the odd bit of holly.

I will not be decorating my house with a million twinkling lights as so many do. I am heeding the Save Energy command. Christmas must be a huge drain on the energy resources of the world. Not only the lights on houses, trees, shop windows, town centres, the leaflets that hurtle through my letterbox wanting me to buy more, more, more. The cooking that goes on over Christmas, the petrol used in rushing from shop to shop to buy more before Christmas. In one household itdoesn't seem much, but multiply that by the number of households world wide and the result must be staggering. (My maths is not up to the task!)

Keep it simple. Make a wreath and try not to savage the holly bush and the fir tree as you do it. 

Wednesday, 27 November 2019

VIKING BRIDE ~ NEW RELEASE!


My new historical romance is released on Amazon Kindle today!

Here's the link : tiny.cc/ik7wgz

VIKING BRIDE is set in the Hebridean island of Lewis sometime around AD1040. It begins with the news that a marriage has been arranged that will break the hearts of two young people and force others into rash actions that have unsuspected consequences. There's lots of action and excitement as well for those who like a little more than a love story. 

Here’s the blurb ~
It was a marriage no one wanted, least of all the bride. 

She knew the groom loved someone else. But how would you avoid a forced marriage? Arrange a swift abduction? An accident? What happens when a third party takes a hand in the game and changes everything?

When chieftain Ragnar and his friend Grettir force the marriage on their offspring they have no idea of the powerful feelings they will unleash, nor the dreadful consequences that will follow. Set in the Hebrides in the eleventh century, it's  a time when  Christianity was taking hold in Viking communities slowly settling down as farmers and neighbours, but the old familiar gods had not quite been forgotten.

And heres's the cover: 



In AD 1040 MacBeth was High King of Alba and the Vikings were settling down in various parts of Scotland as neighbours and farmers. Emerging facts about the Vikings over the last few years would have us see them as less than rampaging warriors anxious to lop off heads, and more as settled neighbours; but I think they would still be a dominant force in any area they chose to settle and very dangerous to those who dared to argue with them. Among themselves, I am sure they were as happy, miserable, compassionate, cruel, cynical, greedy, envious and bloody-minded as people everywhere can be today. How they managed to blend in with the local populations makes a fascinating story. 

Northumberland nudges the border with Scotland and shares a good deal of its history. Ullapool is almost as close as London, and most of my holidays (apart from going to France in latter years) have been spent north of the border, including several in the Hebrides. I bicycled through the Uists one year when I was a good deal fitter than I am now, stayed in an old farmhouse in Arnol another year and various B&Bs throughout the islands later still. Got caught in a rainstorm on a gorgeous beach opposite Scarp and I can tell you it was a long, wet walk back to Hushinish!

I can’t say why I’ve always been interested in Scottish history, except that it began when I was about twelve with a book about ~ as you might guess ~ Mary Stewart. There is something in the air and the landscape of the west coast and the islands that resonates with me. A lady from Scotland turned up in my mother’s family tree about four generations back, but I really cannot blame it all on her! The land and the history simply proved more attractive to me than England and all those kings named Henry.

I have a degree in English and worked in academic libraries in the north east of England until retirement a few years ago. That’s when I began writing seriously and there are now twelve novels with my name on them – all historicals bar one. I hope you will enjoy my latest story and in the hope that you will, here are the links to follow: 

My Facebook Author page: @JenBlackauthor 
My books are listed on Amazon Author Central: https://www.amazon.co.uk/Jen-Black/e/B003BZ8JNQ
My blog is https://jenblackathor.blogspot.com. I would be delighted to see you at any or all of them!



Friday, 22 November 2019

NaNoWriMo, I believe.

It is November.

 Lots of people are tapping away at their computer to take part in the Write a Novel in a Month competition. I think it results in a drop in posts on social media, and a drop in stats on my blog. Everybody else's blog too, I suspect. (I wonder if this makes it a bad month to bring out a new novel?)

I have never tried to do the 50,000 words in a month and I don't think I ever shall. For me it would require so much editing afterwards that it would be more time consuming than usual.

Now that I have finished Viking Bride  - and I have - both Kindle,  published on 27th of this month and - cross my fingers and hope the  proof looks all right when it arrives - the paperback, which might be a week or so later, I can take a deep breath and look around me.

I must do some PR work. It is so easy to forget, but it must be done. Otherwise no one knows I exist, and even less do they know my books exist. So in between dodging the rain during this miserable, flooded-fields November and washing Tim's paws every time we come back from a walk, I shall be busy exploring new ways of getting myself known. It has been a quiet month, with DH in Australia; just me and Tim.


Saturday, 16 November 2019

It was a marriage no one wanted

Here’s the blurb:
It was a marriage no one wanted.
Least of all the Borgunna and Asgeir.
When chieftain Ragnar and his friend Grettir force the marriage on their offspring they had no idea of the powerful feelings they would unleash, nor the dreadful consequences that would follow. Set in the Hebrides in the eleventh century, when Christianity was taking hold in Viking communities settling down as farmers and neighbours, the old familiar gods had not quite been forgotten.
If any of you read Far After Gold then you will recognise Flane ~ he re-appears in this story as wedding guest and distant cousin of chieftain Ragnar.

Saturday, 9 November 2019

We're getting close now!

Latest story is very close to publication.

I'm wondering if I should name a date and put it up for pre-order. I gather that is the accepted thing to do. Putting a deadline on it worries me!


The title is VIKING BRIDE, not  Viking Wedding as I earlier planned. I have yet to do all the fiddly bits - blurb,  tagline, categories and keywords. This story was originally intended for publication on my birthday  at the end of October, so perhaps I'll make it the end of November instead. Just in time for Christmas!

The cover is here - I hope you like it.  Believe me, a lot of effort has gone in to it!


Saturday, 2 November 2019

Lynn Bryant's new book



I don't often do Guest Posts, but I'm making an exception today for a writing colleague whose books I admire. (To celebrate her new publication, Lynnn is making the first book, An Unwilling Alliance available from 1st to 5th November 2019 FREE on Amazon here. Don't miss this opportunity!)
x



This Blighted Expedition is set during the disastrous Walcheren Campaign of 1809, where the largest British operation of the war, consisting of 40,000 men and around 600 ships fell apart due to a combination of poor planning, poor leadership, bad weather and an epidemic of ‘Walcheren fever’ which killed more than 4,000 men and left another 12,000 still sick by February 1810. It’s the second book in the Manxman series, which began with An Unwilling Alliance and is told from the point of view of six characters. 

Three of them are from the first book, including Captain Hugh Kelly, who is the Manxman of the title, his wife Roseen and his first officer, Lieutenant Alfred Durrell. There are two army men, Giles Fenwick, who later appears in the Peninsular War Saga and Ross Mackenzie, a new character and there is also a Dutchwoman, Katja de Groot. All the characters bring something different to the story, but if I had to make a choice, I would unhesitatingly say that this book belongs to Durrell.

Durrell is twenty-five at the start of this book, and has been in the navy since he was a boy. He comes from a family of minor gentry in Kent. Durrell’s father was not wealthy but was fortunate enough to have the patronage of the first Earl of Chatham and then later, after the Earl’s death, of his two sons, the second Earl and William Pitt, the prime minister.

In the late eighteenth and early nineteenth century, patronage was king. Put in it’s simplest terms, political patronage is the appointment of a man to a government post on the basis of partisan loyalty. In the days before Parliamentary reform, when many boroughs were controlled by a local landowner, this could also mean the gift of a seat in the House to a man whose duty it then was to support his patron’s interests.

Durrell’s father had enjoyed the patronage of the Pitt family right from the start of his career. He felt an immense sense of loyalty to the family, and held several different posts under the old Earl and then his sons, ending up working at the Admiralty when the second Earl of Chatham was First Lord of the Admiralty.

Both Henry and Alfred Durrell were helped in the early stages of their career by the Pitt interest. The two brothers went to Harrow, but while Henry fitted in well and enjoyed his schooldays, Alfred was unhappy and it was decided that he should go into the navy. He began his navy career as an ‘officers’ servant’ and worked his way up to midshipman and then to lieutenant. It was necessary to take an examination to become a lieutenant, and we are told had Durrell passed his with ridiculously high marks. From there, he held junior lieutenants posts on several different ships before obtaining the post of first lieutenant aboard the Iris in 1806. He was young for the post, and Hugh Kelly offered it to him on the basis of a letter of recommendation from the Earl of Chatham.

Durrell’s relationship with Kelly is one of the pleasures of writing these books. In the early stages, it seems very unlikely that the two men can be friends. They come from very different backgrounds and have very different personalities. Kelly is Manx, his father held a smallholding near South Barrule and drank himself to death after his landlord evicted him for failing to keep the land in good order. Kelly joined the navy as a volunteer, and worked his way up through the ranks without patronage or privilege to help him. He gained his education through the navy and although these days he is very comfortable mixing with all social classes, he’s aware that some people will always see him as a Manx farm boy.

Durrell, in contrast, comes from a good family who mix in the highest circles. He and his brother were presented at court and he has maintained links with the Pitt family. Despite this, he lacks Kelly’s social confidence. He is tall and slim, with the sense that he never knows what to do with his long limbs. We know nothing about his relationships with women, except that his brother teases him about his lack of experience. Durrell likes rules and regulations and has a strong sense of duty and a very good work ethic. He is also brilliant, with a phenomenal memory but in his early days with Hugh, he has no idea when to shut up and his lengthy speeches make Hugh want to thump him.
In An Unwilling Alliance, we see Durrell and Hugh getting to know each other and learning to work together. It isn’t easy, and there are times when Hugh wonders if he made a mistake in his choice, but gradually we see the ice thawing and by the time we meet Durrell at the beginning of This Blighted Expedition, Hugh knows his value and is furious when Sir Home Popham manages to get Durrell seconded to him for the duration of the campaign.

Durrell has a very good relationship with Roseen, Hugh’s young wife. They are fairly close in age, although Roseen is often quite maternal towards him, which makes Hugh laugh. Despite Durrell’s shyness around women, he has a younger sister at home, and once he gets to know Roseen, they develop a close friendship which probably helped to smooth out some of the early difficulties between Hugh and Durrell.

Durrell is a serious-minded young man and feels immense loyalty to the Earl of Chatham, the rather ineffectual commander of the army in Walcheren. There is a sense of mutual liking and even affection between them although the relationship is always very formal; Durrell understands the rules of patronage and theirs is not an equal relationship.

During this book, Durrell is away from the Iris for much of the time, acting as aide-de-camp to Sir Home Popham. Popham and Durrell met in the first book and their relationship is very complicated. Durrell has huge admiration for Popham’s abilities and is keen to learn from him, but he does not trust him and feels uncomfortable about serving under him.

While Durrell was working his way up the ranks of the navy, his elder brother Henry was appointed to a series of government posts through the Pitt interest, very much as his father was. Unlike his father, Henry is not content with this. He is ambitious and unscrupulous and Durrell quickly realises that there is more to Henry’s appointment to Lord Chatham’s staff during the campaign than meets the eye. In addition, Henry is paying court to Miss Collingwood, the very young daughter of a City merchant and Durrell does not trust his brother’s intentions towards her. As the campaign begins to fall apart, the relationship between Durrell and Henry begins to crumble, revealing tensions that began in boyhood.

A friend who has read This Blighted Expedition, told me that she loved this book because in this campaign, the typical hero-types don’t get much opportunity to be heroic. Instead, the real hero of this book is First Lieutenant Alfred Durrell; awkward, earnest and brilliant. This book is Durrell’s coming-of-age. Durrell started out as a somewhat comic foil to Hugh Kelly and proceeded to steal every scene I’ve ever written him into. I hope my readers come to love him as much as I do.

This Blighted Expedition is available on Amazon kindle here and will be out in paperback by the end of November. To celebrate publication, the first book, An Unwilling Alliance is available from 1st to 5th November 2019 FREE on Amazon here.

In the meantime, I am about to embark on book six of the Peninsular War Saga. It’s called An Unrelenting Enmity and to give myself a kick start with the writing process, I am attempting NaNaWriMo for the first time ever. To follow my progress why not join me on my blog over at Writing with Labradors, or on Facebook or Twitter?



Monday, 28 October 2019

Things we see every day are invisible


Romans called it Pons Aelius.

Newcastle has been its name since the Norman conquest of England. I suppose it is my city, since I was born there, though I lived in Durham city from leaving Princes Mary’s until I was seven years old.

In or about AD 120, the Romans built the first bridge to cross the River Tyne. Aelius was the family name of Emperor Hadrian who built a wall across northern England along the Tyne–Solway gap. His wall runs through present-day Newcastle; stretches of wall and turrets exist along the West Road, and various other bits can still be found: a temple in Benwell, a milecastle on Westgate Road, midway between Clayton Street and Grainger Street. The course of the wall corresponded to present day Westgate Road. It runs eastwards to the Segedunum Roman fort at Wallsend, with the fort Arbeia further down river, on the south bank in what is now South Shields.

The Tyne was then a wider, shallower river and the bridge was probably about 700 feet (210m) long, made of wood and supported on stone piers. Probably sited near the current Swing Bridge since Roman artefacts were found there during its building.
A shrine was set up on the completed bridge in AD123 by the VIth Legion, with two altars to Neptune and Oceanus respectively. The two altars were subsequently found in the river and are on display in a local museum.

A stone-walled fort stood on a rocky outcrop overlooking the new bridge, (where the present Castle Keep stands) to protect the river crossing at the foot of the Tyne Gorge.
It is believed that there was a Roman cemetery Near Clavering Place, behind the Central station, for a number of Roman coffins have been unearthed there. A small vicus, or village, would likely have grown around the fort but nothing beyond a few pieces of flagging have been found.
The Angles arrived in the North-East of England in about AD 500 perhaps landing on the Tyne though there is no evidence of an Anglo-Saxon settlement on or near the site of Pons Aelius.
At that time the region was dominated by  Bernicia, north of the Tees and ruled from Bamburgh, and Deira, south of the Tees and ruled from York. Bernicia and Deira combined to form the kingdom of Northanhymbra (Northumbria) early in the 7th century.


Three local kings held the title of BretwaldaEdwin of Deira(627–632), 
Oswald of Bernicia (633–641) 
and Oswy of Northumbria (641–658). 

The 7th century became known as the 'Golden Age of Northumbria', when the area was a beacon of culture and learning in Europe. The greatness of this period was based on its generally Christian culture and gave birth to the Lindisfarne Gospels. The Tyne valley was dotted with monasteries, with those at Monkwearmouth, Hexham and Jarrow being the most famous. Bede, based at Jarrow, wrote of a royal estate, known as Ad Murum, 'at the Wall', 12 miles (19km) from the sea. This estate may have been in what is now Newcastle.

At some unknown time, Newcastle came to be known as Monkchester though nothing is known of  specific monasteries at the site, and Bede made no reference to it. In 875 Halfdan Ragnarsson, the Danish Viking conqueror of York, led an army that attacked and pillaged various monasteries in the area, and it is thought that Monkchester was pillaged at this time. Little more was heard of it until the coming of the Normans.

Friday, 18 October 2019

What is a Structural Edit?


I gather what I've been doing in the last few weeks is called Structural Editing 

Untidy but colourful
Some call it Developmental Editing or even Substantive Editing) It has, and is, in my case, taking a long time. 

I console myself with the thought that it is expensive and that many publishers will no longer accept books that need such work. Which automatically means that it is often beyond the budget of a self-publisher.

I have different personalities when it comes to this argument of hiring editors and having  them "improve" your book. Part of me thinks the whole thing should be my work. Other parts of me think how wonderful  it would be to have someone make these suggestions. I have not yet decided which is my true feeling!

A structural edit isn't beyond the means of a self-published author. It means getting the first two or three drafts done to completion and then leaving it alone for a while. Then go back get out your critical spectacles and look at the whole thing as a reader would. Is the story good, first and foremost? Then does it make sense? Is it believable and satisfying?

At this stage I rearranged one or two scenes to make the sequence flow better. One I brought forward, another I took back; I think I even deleted one totally.

Does your book have themes? Since in this book I'm writing historical romance set in the eleventh century, my themes are the themes of the time. They're very differnet to my Regency and Victorian romances.
Then I look at the characters. Are they differentiated from one another? Do they grow and change, or remain static? Have I described them adequately for the reader?

POV sometimes wanders, so I keep an eye on that. Sometimes I change a secene's POV.

Pace is important. Any section that drags for me will drag for the reader. I change it or delete it so that there is (hopefully!) a slow-build up of tension. Pace and flow often run together, so I'm on the look-out for repetition, contradictory plot points, dead-end conversations and unnecessary backstory. Occasionally I've had to include a missing plot-point or a fact that was needed to allowor avoid  something further down the line.

Dialogue is important and needs to be succinct, minus clutter (ie adverbs, adjectives) and still take the plot forward. I like humour in my dialogue when I can get it, too. 

Finally I'd add Voice. Different books, different plots, different characters all require a voice that is  unique to them. I spend some time considering my POV character's tone of voice, how s/he sees life and try and get this into their thoughts and dialogue.

If you are happy with your story after all that, then perhaps you've just completed a Structural Edit










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Friday, 11 October 2019

Wonderful Northern Castles


We're not short of castles in the north of England.


This is Carlisle, about 60 miles west of Newcastle and virtually the capital of the Borderlands during the three centuries of the Border Reivers.

It is first and foremost a defensive castle to hold back raids and armies from Scotland. It sits almost on the border line and many a Scots prisoner was brought to Carlisle's dungeons.


There are fascinating wall carvings where Tudor prisoners prisoners whiled away their time leaving their names and insignia for all to see. The castle featured as the headquarters of Sir Thomas Wharton in my book Abduction of the Scots Queen and as I wrote I had so many pictures of the castle in my mind from the huge portcullis to the tiny little snickert door cut into the larger one.

I am now wondering if I have misremembered the term snickert as I cannot find it in the etymological dictionary. I don't mean a postern gate; that is something quite different. If anyone can confirm or deny, please do! This is now going to worry me until I find the right answer!

Tuesday, 8 October 2019

If you are interested in Gibside, then try this link:
https://www.nationaltrust.org.uk/gibside/features/gibside-a-grand-estate

It tells of the estate and the disastrous marriage that ruined it.



Sunday, 6 October 2019

Wet Weather Walk

Yesterday we took Tim for a walk at Gibside, a National Trust estate once owned by the Bowes-Lyon family.


Their money was made on coal, mined from the surrounding landscape. The long flat stretch from the chapel to where the road curves round in front of the house and the dip down the hillside is where the racehorses were exercised.

The weather was dismal but meant we had the place to ourselves. Away in the distance we saw the clutch of pre-school children doggedly scrambling after their leader through the sudden downpour which didn't seem to dampen their spirits at all.




The low cloud base meant that the column of Liberty can barely be seen at the far end of the long drive, but perhaps if you click on the pic, you'll spot it on the larger version!

Sunday, 29 September 2019

A Downton Binge

Season of mists indeed.
Can't help myself. I've been on a Downton binge lately. Here in the UK we've been watching a re-run of the whole series. I caught up to the fact by the episode where Sybil and Tom confront the family and watched all of it from there on to the very end - which I hadnever seen first time around. Then a friend and I went to see the new film the week it came out. This morning I've decided to purchase the original script as there is no novel version.  I'm very much  curious about the Edwardian period, so much so that  it could feature as the setting for my next historical romance!

As for the film, I feel it was  done because the tv series was so popular. Nothing wrong in that, but there was little of the plot that structured each episode for tv. Every character was given consideration and a chance to play their part, so in that sense, it was good, but added little to their character arc.

Only Barrow had moved on, accepting what he was and making the best of it. It was good to hear Dowager Lady Grantham spouting her acerbic lines again, to see Mary and Edith being less bitchy with each other and Tom finally getting romantically interested again. Seeing how well he dresses it occurred to me that he must have inherited whatever money Sybil had, which gives him the independence he so badly needed. All in all, an enjoyable evening watching  characters doing what they do best.

Saturday, 21 September 2019

How to Write a Best Seller


Back in October 2014, Alison Feeney gleaned the following top tips after talking to Sophie Kinsella. Does this advice still stand, and how well?

  1. First, she advises carrying a notebook. Jot down anything that catches your interest. It may become your next novel! This should become a habit.
  2. Work with “What if” ~ if you can sense the grain of a story, work on it!
  3. Read, read, read. It’s vital if you want to be a writer
  4. Don’t write to please someone else. Write something that will please you.
  5. It’s a bad idea to talk about what you are writing. Writers can be easily put off by a raised eyebrow or a chance remark and lose confidence in their idea. The minute you put your work out there and ask for opinions, it will just get in the way of your creativity.
  6. Finding your voice is sometimes the hardest thing. There may be a few false starts, a few steps down an avenue that is not the right one for you but carry on. Let others worry about what genre it is when your story is complete.
  7. Every author gets bored with their work, usually around the middle of the book. Everyone reaches a block of some kind – a plot hole or a scene that makes you cringe, but you’ve got to get to the end. The first draft may be rubbish, but it can be improved; a blank page or screen will get you nowhere. For me, going for a walk, with the dog often results in problems disappearing. Change of scene, fresh air, exercise, whatever it is, if it works for you, use it. (Sad to say, but alcohol does nothing for me in this instance!)


Thursday, 12 September 2019

Author incomes tumble


The Authors Guild suggested that Amazon’s dominance is partly responsible for loss of earnings for US authors. 

Amazon says the findings are flawed.


The report was published in  early 2019, but I never saw it at the time, which is why it is interesting now when I have been looking at my own stats.  On the whole I made more sales prior to 2014 than I do now. One thing the report does not consider is the vast number of books that are now self-published. One report I read stated over 7,000 a day! 

The Authors Guild said the median writing income in 2017 fell 42% from 2009 and pointed out the growing dominance of Amazon as a reason for this. The company now controls 72% of the online book market in the US and keeps costs down and takes a large percentage, plus marketing fees, forcing publishers to pass on their losses to authors.

Amazon disagrees and points out significant differences between the data it compared in its recent survey and years prior, with many of the survey’s conclusions flawed or contradictory. It claims earnings increased almost 17% for traditionally published authors and 89% for self-published authors, and that full-time authors saw their median income rise 13% since 2013.

Read the full report by Alison Flood

Friday, 6 September 2019

Are you an Indie?


Not long ago being an Indie author meant paying to get your books printed and shipped to you, and then selling them, one by one, as best you could in your local area. Waterstones would look down their nose at your slim little volume and local libraries would take one grudgingly, flick through it and say “Oh, but it’s such small print.”
Then the ebook and Kindle appeared on the scene and everything changed except the work - the hours, days, weeks and months of research, writing, editing, and re-editing to get a manuscript ready for publication – that hasn’t changed at all.
But everything else has and is still changing. An indie author now needs to market and sell their books in a very different way.
An ebook can be transmitted, in an instant, anywhere in the world. But to make this work, you must be online, with internet, blog, website, and a working knowledge of social media. You also need to be alert to the constant changes in this world.
Never heard of metadata? You need to check this site: an expert at writing metadata. Make sure you know about keywords and categories. Decide if you are sticking with Amazon and ignoring every other selling channel, or if you want to sell through other outlets as well.
Then there’s the question of designing a cover yourself or paying someone to do it. Some people believe you must pay for editing not once but twice and sometimes three times. By the time you have paid out all this money, it is doubtful if you will ever get that money back in royalties.

Then there is advertising. Such a tricky business many authors are signing wannabe authors up to expensive courses on how to achieve success with online ads. Teaching people to write has become a college, university and freelance opportunity - and an expensive one at that. How many people can afford £20k for a university course to teach someone to write a novel? 

Not I. I'll just soldier on, learning by doing it the hard way. By trial and error. Doing something and seeing if it works. Discarding it if it does not. It keeps me out of trouble. If I were twenty something and craving a career as a successful author, all thee expensive routes might be worth taking, but I'm not, so it isn't. Oh, and by te way, have you noticed I now have an author page? Jen Black's Author page should find me.