Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Friday, 12 June 2026

Never a dull moment

 Wondering this morning why Amazon has suddenly dropped off the Marketplace statistics on my KDP reports. The US always used to be the major player but as of this month it has fallen way behind. 

This has led me to checking as far as I can but I cannot see a reason for it. Unless it is because I charged a dollar more for my books? Would that do it?

Now that I am not writing - The Earl's Protection has been on sale for 12 days now - I have time to look at all these things. I really should have another go with Mailerlite and see if email lists really work or not. I have the feeling they may be just annoying to most people but the experts insist it is the way to go. Unless one chooses to go with a business venture that promises to "do it all for you - and sell thousands of titles!" There are a lot of them about on Facebook and Instagram these days. I also should look at TikTok, which so far has remained a mystery to me. Never a dull moment when you are a KDP author!

The gateway is Prudhoe Castle, built in early medieval days and still standing above the river Tyne in Northumberland

Tuesday, 23 December 2025

Matho never went to Hampton Court

 

Re-branding completed on the Matho Spirston Saga! Fair Border Bride is now officially the prequel to the trilogy, and is now priced at just 99p. Good news for anyone who likes reading historical fiction.

Matho never went to Hampton Court but he may get there in the future. Not that I think Henry VIII would be pleased to see him. Perhaps he'd better stay north of the border now.

Working on a new murder mystery and trying to disentangle all the threads I had. I started it some time ago and got myself in  a muddle, so left it alone for a while and wrote a romance which happily is doing quite well. This new book may well be called Saturday Morning Murder.

Christmas is almost upon us, and everything is likely to go quiet for a while. Either that or the internet will explode! Whichever it proves to be - Have a wonderful Festive Season!

Wednesday, 17 December 2025

Time for a re-think, PR wise

There is such a lot of old clutter on Amazon if you care to look - because Amazon continue to offer old paperbacks for sale and there's nothing authors can do about it if the rights  belong to a publishing company - even though the company has gone forever. Old covers, old editions proliferate, plus reviews. Hopefully, most people look only for the new stuff and don't see all the dross!

While wishing everyone a Happy Christmas, I am thinking of updating my books and bringing titles together where I can. For example: I have 4 books that I uploaded to KDP as I finished writing them  -  several years apart. They should really be brought together as one complete package. I called it the Scots Queen Series but really the hero, and the thread throughout the four books is, Matho. I aim to PR them under this sort of banner now:

THE MATHO SPIRSTON SAGA

Love, loyalty, and survival across the Borders of England, Scotland, and France.

From the blazing borderlands of Tudor England to the storm-lashed castles of Scotland and the treacherous courts of France, one man’s courage is tested against impossible odds.

Matho Spirston begins as a humble guard, but fate thrusts him into the heart of history—caught between kings and queens, ambition and betrayal, love and loss. Whether aiding a doomed romance, stealing a queen for England, or carrying secret letters across war-torn Europe, Matho must fight not only for survival but for the chance to protect those he loves.

This sweeping saga blends romance, adventure, and political intrigue in the turbulent mid-sixteenth century. Perfect for fans of historical fiction who crave daring heroes, feisty heroines, and the perilous dance of duty and desire.

Start with Fair Border Bride, the gripping prequel, and follow Matho through Abduction, The Queen’s Courier, and Queen’s Letters for a journey you won’t forget.



Saturday, 5 July 2025

Romantasy

I read that there is a new sub-genre on the romance /historical fiction scene. 

This one is called Romantasy. It first appeared in 2023. Some say the genre appeals to those who grew up with Harry Potter - young adult fantasy - and want similar fantasy elements but with sex and romance thrown in.

All the core tropes for romance feature in romantasy and the main plot focus is romance but the setting is some imaginative world often with mythical creatures and epic quests. It should tempt all those who like dragons...but you need a vivid imagination for this kind of thing.


I guess the Regency purist readers will avoid it like the plague and so for them can I recommend my latest offering - definitely no mythical creatures, but lots of romance! in The Duke & Two Sisters.




Saturday, 29 October 2022


People talk of Gothic novels - aka Northanger Abbey – but what is a gothic setting? Dracula’s castle is gothic because it helps invoke gothic themes. Take architecture, add in claustrophobia and creeping dread, toss in distance from civilisation, a prison-like atmosphere and you are almost there. 

Old places, and isolated wilderness helps to set the scene.  Almost any castle will do, especially if it is partially ruined and has a dungeon or better yet – a locked door. How about an ancient mansion, a hunting lodge, or dilapidated chateau? There are plenty of ruined cottages scattered about the norther landscape.

Take something familiar and twist it. A doll isn’t gothic-scary, but a doll that inexplicably appears on your bedside table might be. How did it get there? Who put it there?

Signing the contacts on some property isn’t scary, but doing so in Transylvania might be, especially if a mysterious and reclusive count lived there.

Historical fiction is based in reality. In Gothic horror, magic and monsters and things that go bump in the night might be real.

In a Gothic horror, the doll would be the ghost of a horribly murdered girl that now possesses the doll.

In historical fiction ghosts aren’t real and there will usually be a protagonist driven mad by the nasty doll shunted around by her wicked uncle.

 I like writing about the Viking Age which tends to be action-packed and practical. But I am beginning to think along the lines of a chieftain’s hall in the middle of nowhere, with a murderer who stalks the corridors at night, leaving gruesome trophies behind!

Yes, I did read Beowulf at uni!


But add in dread, and snow them in over a brutal winter as they are picked off one by one…

Thursday, 28 May 2020

There was a heatwave that year

My gift to everyone over lockdown was to make each of my titles free for 4 days. 

I chose the order in which the books would appear by drawing straws - or the equivalent - out of a hat, and the 9th title is up as I write. If nothing else the exercise has shown me which genre is the most popular - and that is Regency romance. So far The Gybford Affair: the heiress and the fortune hunter is the clear winner but The Matfen Affair : the bridesmaid and the ghost is not far behind. 

I am keen for the end of the run, for then I will be able to look at the true statistics for all titles. I am rather surprised that the early medievals, Tudor tales and Viking stories lag behind in the popularity stakes, but they are as much romances as "histories." 

My current story is now at 50k and going fine. With a working title of Silver Season, which may or may not last the course, this one is not Regency, but Edwardian.  It is set in 1911 when the Titanic was undergoing sea trials and King George V and Queen Mary were crowned. The time period is very close to the opening season of Downton, but my story will take place within the one year. 

There was a heat wave that year, hints of coming war with Germany and a sense that the season may well be the last of its kind. My heroine is Ellen Montgomery, an American heiress born in Boston and married to Charles Byland, heir to the 5th Marquess of Durrington in the north of England. They have been happily married for three years, but with one flaw ~ there is no sign of a child and that impinges rather heavily on their happiness.

Wednesday, 1 April 2020

The long, hot summer


1911 was remembered as the year of the heat wave.
Summer temperatures climbed after May and hovered between 80F and reached 92F (33C) in King's Lynn in Norfolk breaking all previous records for East England. By the end of July the lack of rain and scorching sun resulted in a paucity of grass as pastures turned brown. Farmers were forced to raise the price of milk. By late July song birds were silent in the fields and lanes. In early August the health of England was faltering in the continuing heat.
The sun continued to burn down, and activity in meadow and field ceased. Water pumps and village wells ran dry. The relentless sunshine became oppressive. People crossed to the shady side of the street.
Sun-darkened skin was undesirable and acceptable only in the labouring class and sunburn was a serious hazard
On 11 September the average temperature suddenly dropped by 20 degrees and prospects of rain before long were expected
The Lady magazine was already devoting several pages to new autumn fashions, and sumptuous furs had arrived on the rails of the new department stores. The long, hot summer was over.
This is the background to my latest writing. Seen through the eyes of Ellen, an American dollar princess who finds herself in trouble because she seems unable to become pregnant – and there is a large estate dependent on there being an heir.

Friday, 20 March 2020

HISTORICAL ROMANCE WRITING



How much description should go into a historical romance? Usually I start like this:

OK, I have my great premise
Then I focus on a time and a place for this story

NO, no, no. 

Let's re-think that. 

In historical fiction, the setting should be essential and the first thing I think about. 
If readers feel my story could have happened anywhere, at any time, then I’ve failed at the very first hurdle. The historical setting must come first. I need a story that could have taken place nowhere but the one place where it did happen.

Once we have a time and place sorted, how to describe it?

I aim to make it vivid, but I remind myself not to overdo it. Especially not to do description in huge chunks. Today’s readers are impatient creatures, and won't tolerate long descriptive paragraphs as they did in the past. 

So instead, I should drip-feed descriptions of the setting into my story.
I should keep descriptions short and powerful and use every sense I have. We smell and hear places as well as see them.  Some places have an atmosphere and sometimes it is peaceful and sometimes it is threatening. 

I should not forget to describe the social and cultural morals of the time. Gin Lane without the gin would just be inaccurate.

Use metaphors and similes where Ican but I must make them original. Clichés are not what I want. If there is movement in the scene, that is better than a an unmoving one. If I can remember all this when I'm writing, then I should be well on the way to achieving my aim!



Tuesday, 25 February 2020

Finding the way forward


Next time I start a new book, this is what I’m going to do!
Finding the way

Open with a hook. It is the chance to grab the reader and show them the quality of my writing. Wonderful writing alone won’t do it, though; there must be something that makes the reader want to read on to see what happens next. How whoever it is will dig themselves out of this hole they’ve fallen into….

Next step is to introduce your main characters, their aspirations and goals, and their setting. Where are they? Sometimes these days when are they is as important as where!

Then there must be the inciting incident. Think of it as a fuse that sparks off your story. Sometimes along with this comes what authors like to call the Call to Adventure. It should at the very least be soon after your introductions. Get the protagonist involved in the story – whatever you make the character do will be a direct reaction to the inciting incident, ecen if their first reaction is to baulk and not answer it. 

The first move they make is the first plot point and marks the end of the beginning section of the novel. It also marks the beginning of the rest of the story. From then on there is usually a major escalation or a setback of some kind, which forces the protagonist into further action.

Think of it as a list:
INTRODUCTIONS
INCITING INCIDENT
CALL TO ADVENTURE
FIRST PLOT POINT

And you are on your way!

Thursday, 20 February 2020

Cheers!

Drunkenness was not uncommon in Anglo-Saxon England.

In the early medieval period people brewed with barley and wheat and the names beer and ale were applied to the drink. somewhat indiscriminately. If there was a difference between them it may have been that beer contained aromatic herbs while ale remained "pure."

By the 10th centry beer  described the  sweet new wort barely fermented. "Beor" was said to be honey-water (hydromel), a Greek name which in Latin translated as mead. Ale was the common name for malted liquor.

The Anglo-Saxons were great ale drinkers, with an ale house in every village, selling bright ale (the dregs well settled), mild ale, and extra-strong twice-brewed ale. Rosemary, yarrow, betony, gale and bog-myrtle were infused in ale and drunk medicinally as well as for flavour and preservation purposes.  Mixed herbs known as "gruit" were added to ale in Germany and hops finally became the ideal ale-herb.

Welsh ale or "cwrw" retained its individual smoky taste until the end ot he 18th century and often figured in food rents in Anglo-Saxon England. "Bragot" was a honey and spiced ale drunk at theWelsh court. 

Mead was the warrior's drink for both Celt and Saxon. It was also a celebratory drink in peace time and more readily available than wine until well after 1066. Wine drinking diminished after the Roman legions left, but gradually Rhenish wine from Cologne and French wine from  Rouen established trade routes into England. 

Milk, buttermilk, whey and water were the non-alcoholic drinks. Bede quotes King Edwin of Northumbria marking the sites of clear water springs at roadsides by means of a post with a bronze cup suspended from it.

Saturday, 15 February 2020

Food Matters


The potato is indigenous to Chile and the Andes. Everyone thought the potato came from Virginia, and that was because when Sir Francis Drake stopped in Virginia to pick up English settlers, he had potatoes from Cartagena in Columbia on board and introduced them to England. It had reached Spain around 1570.

Rumour says that the vegetable found its way into Ireland by virtue of the looting of a ship’s store from a wrecked Armada vessel around 1588. Alternatively, the Irish claim Sir Walter Raleigh brought it.

The potato was initially not widely used in England, but the Irish took to them whole heartedly. They were easier to grow than oats or barley and easier to hide in an underground store when soldiers prowled the land. 

By the 17th century potatoes were grown in Lancashire and by the 18th their use was spreading through the rest of the UK, at first as a garden and later as a field crop, even reaching the highlands of Scotland.

At first they were used as a delicacy and if they were of the sweet potato variety, almost a sweetmeat, but it was not long before they became the traditional boil, roast or fried vegetable we all know. By that time the use of pottage had declined, or the potato would undoubtedly have become the main pottage ingredient.

Wednesday, 12 February 2020

Pottage, anyone?

        Young green peas were cooked in a beef broth flavoured with parsley, sage, hyssop and savory to produce pottage in medieval days. Old dried peas were cooked with bacon stock and eaten afterwards with bacon. meat if you had any. The labourer's family without bacon made do with  oatmeal, flour or breadcrumbs to thicken it. This thick pease pottage  remaned a basic country dish for several hundred years; in fact, we still have it in our home today, usually with some ham and a ham stock cube.

Pottage was a staple of the English diet, came in many varieties. and was eaten by rich and poor alike Onions were the most popular ingredient and demand outstripped supply so that the vegetable and the seed were importd from the Netherlands and even Spain. Garlic was also imported.   
                         
Many other broad green leaves went into it, plants we are not so familiar with today: orche, clary, mallows, patience dock, borage and bugloss. Flavourings included parsley, sage, thyme, mint in all its forms, and fennel . In the medieva period, people chopped up the parsley root fas well as the leaves  and stalks for pottage.  A 15th century housewife grew no less that 48 herbs - though we cannot assume that every housewife grew all of them! Many were gathered from the wilds - such as dandelion, daisy and red nettle. All this greenery should have been very healthy but unhappily the pottages were cooked for so long that all the goodness of Vitamin C would have been destroyed .

Parsnips,  carrots, radish, turnip and rape were grown in gardens as these root vegetables were not yet grown as field crops.   Rape seeds were used as a cooking oil among the less well-off. Dutch immigrants began growing rape in south east England in the Tudor period; before that, the seed was imported from Flanders.                                                                                                                               

Monday, 20 January 2020

Staff of Life and all that

Do you know what pottage is?

In medieval days pottage, bread and ale were the backbone of  everyone's diet. We are told by Andrew Boorde (1542) that "pottage is made of the liquor in the which the flesh is sodden in, with putting-to chopped herbs, and oatmeal and salt."

 The object was to  produce a semi-liquid  but thick spoonmeat.
Cereal pottage was based on the breadcorn of the region - rye, wheat, or a combination of the two, often called maslin; barley, oats or dredge-corn (again a mixture of the last two). These might be ground at home with a hand quern or in a mortar. Both resulted in rough grain. Later this became illegal as it was said to deprive the manorial mill of its dues.

Once this was done, the  mixture was washed and then boiled until it was tender and brown. Some recipes had the grains boiled, cooled and then mixed with cows' milk and a beaten egg stirred in. This earned the name "Frumenty." Rich folk ate it with venison or porpoise. Poor folk ate it as a breakfast or supper dish, with little else but for milk or a little cream or butter if it was to be had. Gruel was oatmeal boiled in water.

In Scotland the cereal pottage was brochan - the old Gaelic word for oatmeal porridge, and sometimes eaten with kail and/or onions. The dalesmen of the Pennines and the Welsh ate a similar oatmeal or oatmeal and barley mixture. In the south of England oatmeal became a favourit thickener for meat and herb pottages as well as breadcrumbs or "amidon," a wheat starch very much like Cato's amulum of sixteen hundred years before.

"Drawn  gruel"  contained lean beef, boiled and pulled to draw out the gravy, and with  the addition of oatmeal, parsley, sage, and salt. "Forced" gruel had pork added, once it had been worked to a pulp in the mortar. Eggs were sometimes added, but considered rather extravagent.

Rice from the south of Europe was added to pottage, too. It came with the spice ships from the Mediterranean and the Countess of Leicester used 110 pounds of it in four months during 1265. In a smaller household, the record show only 3 pounds of rice used in the whole year 1419.

Monday, 13 January 2020

Winter musings on dialogue

Sometimes the words flow easily.

Other times I cannot think of anything to say.

This can be bad when you want to finish the book you are writing. It is at times like these that I go back to basics and refresh my writing muscle with the wise words of others. This morning I am contemplating a lunch table conversation between antagonistic acquaintences, so I'm  reading up about dialogue as I scoff my bacon, mushroom and black pudding sandwich. (Very tasty!)

Dialogue, they say, should sound natural. At the same time, we need to omit all the awkward pauses, poor word choices , non sequiturs and pointless repetitions. We don't alwys speak in complete sentences, we drop articles and pronouns  and sometimes we just grunt - but somehow we get our meaning across!

In novel form, dialogue is a way of changing relationships, or bringing conflict to a head

It requires direction from the author and the scene direction should change after the conversatin occurs.It is possible that the people in the dialogue do not understand themselves, or their motivations; it is also possible that they do, but are incapable of admitting this to anyone else. Some even set out to deliberately confuse an already tense situation.

By the time I get this far,   I can usually see my way more clearly! I hope you can, too.
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                               


Friday, 18 October 2019

What is a Structural Edit?


I gather what I've been doing in the last few weeks is called Structural Editing 

Untidy but colourful
Some call it Developmental Editing or even Substantive Editing) It has, and is, in my case, taking a long time. 

I console myself with the thought that it is expensive and that many publishers will no longer accept books that need such work. Which automatically means that it is often beyond the budget of a self-publisher.

I have different personalities when it comes to this argument of hiring editors and having  them "improve" your book. Part of me thinks the whole thing should be my work. Other parts of me think how wonderful  it would be to have someone make these suggestions. I have not yet decided which is my true feeling!

A structural edit isn't beyond the means of a self-published author. It means getting the first two or three drafts done to completion and then leaving it alone for a while. Then go back get out your critical spectacles and look at the whole thing as a reader would. Is the story good, first and foremost? Then does it make sense? Is it believable and satisfying?

At this stage I rearranged one or two scenes to make the sequence flow better. One I brought forward, another I took back; I think I even deleted one totally.

Does your book have themes? Since in this book I'm writing historical romance set in the eleventh century, my themes are the themes of the time. They're very differnet to my Regency and Victorian romances.
Then I look at the characters. Are they differentiated from one another? Do they grow and change, or remain static? Have I described them adequately for the reader?

POV sometimes wanders, so I keep an eye on that. Sometimes I change a secene's POV.

Pace is important. Any section that drags for me will drag for the reader. I change it or delete it so that there is (hopefully!) a slow-build up of tension. Pace and flow often run together, so I'm on the look-out for repetition, contradictory plot points, dead-end conversations and unnecessary backstory. Occasionally I've had to include a missing plot-point or a fact that was needed to allowor avoid  something further down the line.

Dialogue is important and needs to be succinct, minus clutter (ie adverbs, adjectives) and still take the plot forward. I like humour in my dialogue when I can get it, too. 

Finally I'd add Voice. Different books, different plots, different characters all require a voice that is  unique to them. I spend some time considering my POV character's tone of voice, how s/he sees life and try and get this into their thoughts and dialogue.

If you are happy with your story after all that, then perhaps you've just completed a Structural Edit










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Wednesday, 5 June 2019

Come and meet Byrhtnoth


Today I am taking part in something called a Blog Hop. Yes, I know, it sounds strange, but the Interview my Character Blog Hop should prove a thing of beauty for lovers of historical fiction. The basic idea is that I should interview a character! Not the author, but the character. Something I’ve never done before.

Further down the line, someone is going to interview a character from one of my books (look for it on 15th June), but let me tell you which character I have selected. His name is Byrhtnoth and so far he has two books chronicling his life. The first was Bright Sword in 2018 and Bright Axe arrived earlier this year. I understand there is a third in preparation – and since Byrhtnoth is barely eighteen at the end of Bright Axe, I feel he has a long way to go for I know that he doesn’t die until AD 991.

He also has a rather elevated opinion of himself, but I have a sneaking suspicion that perhaps he is typical of men back in AD 947!  Let me tell you that talking to a rather muscular young man over six feet tall, and with a shiny axe hanging from his leather belt, is a rather unnerving experience. Given the chance to ask him questions, my first was necessary for ease of reading his story; here is the snappy answer he gave me:-

Me: How do you pronounce your name? Who named you?

What a strange question. No-one has ever asked me that before. Are you a foreigner? Do people ask you how to pronounce your name?
Forgive me. My author tells me you live, like her, in a different time where the English tongue is spoken in a different way. She says the pronunciation is something like birrt-noth in your language.
Like most Anglo-Saxon names, it is made from two words. The first, Byrht, or Beorht – it can be spelt in many ways, means bright. Noth means bold, daring, courage. It is a good name for a warrior. I think my father, Byrhthelm (guess what that means!), named me well.

Me: Are you related to anyone famous?

I have connections to Lord Athelstan, Ealdorman of East Anglia, sometimes called half-king because he is second in power only to the king (some would say more powerful!) His wife fosters the younger son of the king; the late king I should say, Edmund died last year, his brother, King Eadred rules now.

Me: How old are you and how do you keep track of passing years?

I was born in the year 930, in the reign of King Athelstan. I had reached the age of seven years when my mother died, and I left my home. I was taken to Winchester to be trained with a group of other boys. That was shortly after the Battle of Brunanburh, when Athelstan defeated all the kings of Dublin, Alba, Strathclyde and a few others. I suppose that would make me close to seventeen years. I am a man, that is all that matters.

(H’mmm. I notice he didn’t tell me how he kept track, but I didn’t dare to probe further. Perhaps that axe at his waist has something to do with it.)

Me: Are you pagan at heart or wholly Christian?

I am a Christian, like most of the inhabitants of this land. Not that I think about it much, I go to church when I have to and complain at Lent and other fasting times – I have a dislike of smoked fish. My friend Wulfstan, who spent time in a monastery, tells me when I break the rules.
Some say that the old gods are better for a warrior to pray to. I know men who do so, it doesn’t bother me.

(Not an ardent Christian, then. Interesting.)

Me: What do you think of women? Should they have equal rights with men?

Don’t ask me about women. They are a complete mystery. I suppose it comes of being brought up in a gang of boys. I met a girl last year, very pretty. She smiled at me, I thought she liked me. I thought she would like me more when I rescued her from the Viking raiders. She didn’t, although that might have been because I nearly drowned her. They say she’s too good for me, perhaps she is; her sister was married to the king - the one who died.
Why can’t she be more like Saewynn? Saewynn was her maid, she travelled with us to rescue her mistress, but they had a falling out and Wulfstan brought her to the village.  I can talk to Saewynn, she’s like one of the lads. She’s good at sewing but, can you believe it, she wants to learn how to fight? She’s not bad at it, so why not let her have a bit of fun, before she grows up to marry and have children. She says she doesn’t want to get married, although the only alternative is to become a nun. I can’t see her as a nun, like my sister, Edith. As a nun she could run a nunnery, or even a monastery; some have more power than men.
Women have some rights, why would they want to be treated the same as men?

(Funnily enough, I’ve often thought that myself.)

Me: Were you taught to read and write?

Of course I was taught to read and write; the monks at Winchester tried to beat it into us. Some absorbed more than others. I can read well enough to understand a letter, and I can write my name. Wulfstan was the best scholar amongst us. Just as well. After he was injured, he was unable to become a warrior. Now he writes down whatever I need.  I understand he sometimes reads whole books, for pleasure. Can you imagine such a thing?

(I’m siding with Wulfstan on this one – and keeping a wary eye on that axe...)

Me: Do you find it difficult to travel the country when they are so few maps?

I don’t have a problem. It’s easy enough to tell North from South, from the sun. It rises in the East – or has that changed by your time? There are roads, the main ones were built by the Romans, many years ago. I have travelled between my home and Winchester sometimes via Lundon, where there is a bridge across the river. In fact, rivers, and the sea make for easier travelling. Most major towns are situated on rivers.
I have been as far west as the Severn river, that was when we were following the trail of those raiders, then I walked through Mercia, before making my way home. I followed the old road called Watling Street, then took a ship back to the Wash.
I spent Christmas at Lord Athelstan’s Hall at Rendlesham. That’s close to the coast and I have sailed from the river nearby. Soon we head north to fight in Northumbria. I hope I go by ship, it’s easier than walking, or even riding.

Me: Do you have a picture of the British Isles in your head?

I know the shape of the land. The monks at Winchester had a map. It was made in the time of King Alfred and copies were sent to other monasteries. We boys were learning to serve the king, to become the advisers of future kings. I studied it carefully, especially the sites of the old battles. We were taught how close we came to being overrun by the Danes who came from the lands to the East and how King Alfred divided the country into two. The kings who came after, took back the lands all the way to the border with the Scots and other barbarians, and even beyond.

I know how difficult it is to protect our land from foreign invaders. The Welch to the west are quiet for now. Beyond is Ireland, where some Norse kings have settled (that’s where those raiders came from!)

Beyond the sea to the south is Frankia and other lands. We are at peace with them, at the moment. King Athelstan married several of his sisters to kings there and monks travel to foreign monasteries, even to Rome. I met someone once who had travelled to Byzantium, I wonder if I will ever go there.

It is the North that interests me. You might ask where in the north, but I cannot answer. My father, the man who named me, left shortly after my birth and never returned. My mother and I thought he must be dead, but I have been told that he still lives. I swore a vow to find him, but where to search? I studied the old map and questioned anyone who had travelled that way. I know there are great mountains and many islands, scattered in turbulent seas. I must go, but my duty to my lord prevents me. Perhaps I will find news of him in Northumbria.

I hope your questions are now at an end as I have better things to do. I see Saewynn glowering at me from the door, I am late for training. That’s if I can move after sitting here so long. If I have missed anything, Wulfstan will help you. He has been scribbling down all my words and indicates he is running out of ink.

Or ask our author. She knows everything: past, present, and even our future. I wish she would tell me if I ever succeed in my quest. All she will say is that I live a long life and will be remembered in a famous poem.

Must go, my throat’s dry, anyone got any ale?
Written at Rendlesham, Easter 947 by Wulfstan, clerk to Thane Byrhtnoth.

   Me: Thank you, sir, for answering me so well. (Quite a character, our Byrhtnoth!)

Now for the books:

Christine Hancock - author.
Bright Sword, The Byrhtnoth Chronicles, Book 1
               
Bright Axe, The Byrhtnoth Chronicles, Book 2
Ebook: https://tinyurl.com/y5w2k3pq               
Paperback: https://tinyurl.com/y5w2k3pq

Would you believe Byrhtnoth has his own website? I imagine Wulfstan must have laboured long hours over it, so please take a look. 

Not content with a website, he (or Wulfstan) is on Twitter and Facebook!
Twitter @youngbyrhtnoth 

Saturday, 1 June 2019

Interview my Character Blog Hop

Something exciting is happening this summer!


Wednesday 5 June Jen Black  interviews courageous, Byrhtnoth, of the Byrhtnoth Chronicles by Christine Hancock
Saturday 8 June – Sharon Bennett Connolly interviews wild and beautiful, Eleanor Elder, heroine of the Rebels & Brothers series
Saturday 15 June Lynn Bryant http://www.lynnbryant.co.uk/blog/Interviews handsome, adventurous Matho Spirston of Jen Black’s The Scottish Queen trilogy
Wednesday 19 June Judith Arnopp http://juditharnoppnovelist.blogspot.com/ interviews the intriguing, fiercely ambitious, Edward Seymour of the Seymour Saga series by Janet Wertman
Saturday 22 June Derek Birks https://dodgingarrows.wordpress.com/ interviews the courageously defiant Nicholaa de Haye of Sharon Connolly’s Medieval Heroines
Monday 24 June Vanessa Couchman https://vanessacouchmanwriter.com interviews the wily, intrepid Saxon in a Norman’s World, Wimer, from Sherrif & Priest, by Nicky Moxey
Wednesday 26 June Nancy Jardine https://nancyjardine.blogspot.com interviews Paul van Daan, Lynn Bryant’s gorgeous young officer from The Peninsular War Saga
Saturday 29 June Stephanie Churchill https://www.stephaniechurchillauthor.com/ interviews Marie Therese, talented singer of Vanessa Couchman’s historical novel, Overture
Monday 1 July Christine Hancock https://byrhtnoth.com/Interviews Wulfhere,  flawed but heroic thegn of Horstede from Paula Lofting’s Sons of the Wolf series
Wednesday 3 July Paula Lofting http://www.paulaloftinghistoricalnovelist.wordpress.com interviews the conflicted, yet honourable, Prince of Agrius, Casmir, from Stephanie Churchill’s Crowns of Destiny trilogy
Saturday 6 July Nicky Moxey https://nickymoxey.com/ interviews General Gnaeus Iulius Agricola, determined soldier from Agricola’s Bane, Book 4 of the histfic saga – Celtic Fervour by Nancy Jardine
Monday 8 July Janet Wertman https://janetwertman.com/interviews steadfast and resilient Margaret Pole from Faithful Traitor by Samantha Wilcoxson
Wednesday 10 July Sarah Dahl https://sarahdahl.com/blogposts/ Interviews Geoffrey de Mortagne, a man torn between an oath and his duty, in Cathie Dunn’s Dark Deceit
Saturday 13 July Alex Marchant https://alexmarchantblog.wordpress.com/ interviews Joanie Toogood, the rough, tough, but kind-hearted street girl from Judith Arnopp’s The Winchester Goose
Monday 15 July Samantha Wilcoxson http://samanthawilcoxson.blogspot.com interviews the tormented and conflicted Munro from Turn of the Tide and the Munro Scottish Saga by Margaret Skea
Wednesday 17 July Cathie Dunn https://cathiedunn.blogspot.comInterviews Aldaith, the long-haired, muscular Viking Warrior from Sarah Dahl’s Viking saga The Current, Bonds, and Battles
Saturday 20 July Margaret Skea http://www.margaretskea.cominterviews Alex Marchant’s young loyal page to Richard III, Matthew Wansford, in The Order of the White Boar series

It is finally coming together.
What happens?
On 5th June I am going to interview a character created by author Christine Hancock. His name is Byrhtnoth.