Showing posts with label Character building. Show all posts
Showing posts with label Character building. Show all posts

Tuesday, 17 March 2020

Can you build a character?


This is my little memo to self on How To Build a Character. Read at your peril!

What makes a character unique?

Observable qualities ~ This includes physical appearance, mannerisms, speech style, gestures, sexuality, age, IQ occupation, personality, attitudes, values, where and how she or he lives.

That’s the simple level. True character lurks behind this mask. Only time will tell if they are loyal, honest, loving or cold-hearted or even downright cruel, cowardly and weak.
How do we tell which they really are? True character shows in the actions and choices made at a time of dilemma or danger.

The key to character is Desire. What does the character want? Now, and in the future? Does the character even recognise this need?

Then there’s motivation. Why does the character need this thing? Can it be attributed to parental upbringing, culture and or genes?

Physical image and setting says much about a character, but could be a lie or a mask. Other characters may and probably do comment on them, but they might have a hidden motive for what they say. 

What the character says of himself may or may not be true.

The trick is not to muddle readers. Your character may be a guilt-ridden ambitious person but must be consistent in oth his guilt and his ambition. Focus on the main character and fit the rest around him – they must bring out his contradictions and his values, his sadness and his wit. Always assuming he has any. Your character may have other values.

Saturday, 1 June 2019

Interview my Character Blog Hop

Something exciting is happening this summer!


Wednesday 5 June Jen Black  interviews courageous, Byrhtnoth, of the Byrhtnoth Chronicles by Christine Hancock
Saturday 8 June – Sharon Bennett Connolly interviews wild and beautiful, Eleanor Elder, heroine of the Rebels & Brothers series
Saturday 15 June Lynn Bryant http://www.lynnbryant.co.uk/blog/Interviews handsome, adventurous Matho Spirston of Jen Black’s The Scottish Queen trilogy
Wednesday 19 June Judith Arnopp http://juditharnoppnovelist.blogspot.com/ interviews the intriguing, fiercely ambitious, Edward Seymour of the Seymour Saga series by Janet Wertman
Saturday 22 June Derek Birks https://dodgingarrows.wordpress.com/ interviews the courageously defiant Nicholaa de Haye of Sharon Connolly’s Medieval Heroines
Monday 24 June Vanessa Couchman https://vanessacouchmanwriter.com interviews the wily, intrepid Saxon in a Norman’s World, Wimer, from Sherrif & Priest, by Nicky Moxey
Wednesday 26 June Nancy Jardine https://nancyjardine.blogspot.com interviews Paul van Daan, Lynn Bryant’s gorgeous young officer from The Peninsular War Saga
Saturday 29 June Stephanie Churchill https://www.stephaniechurchillauthor.com/ interviews Marie Therese, talented singer of Vanessa Couchman’s historical novel, Overture
Monday 1 July Christine Hancock https://byrhtnoth.com/Interviews Wulfhere,  flawed but heroic thegn of Horstede from Paula Lofting’s Sons of the Wolf series
Wednesday 3 July Paula Lofting http://www.paulaloftinghistoricalnovelist.wordpress.com interviews the conflicted, yet honourable, Prince of Agrius, Casmir, from Stephanie Churchill’s Crowns of Destiny trilogy
Saturday 6 July Nicky Moxey https://nickymoxey.com/ interviews General Gnaeus Iulius Agricola, determined soldier from Agricola’s Bane, Book 4 of the histfic saga – Celtic Fervour by Nancy Jardine
Monday 8 July Janet Wertman https://janetwertman.com/interviews steadfast and resilient Margaret Pole from Faithful Traitor by Samantha Wilcoxson
Wednesday 10 July Sarah Dahl https://sarahdahl.com/blogposts/ Interviews Geoffrey de Mortagne, a man torn between an oath and his duty, in Cathie Dunn’s Dark Deceit
Saturday 13 July Alex Marchant https://alexmarchantblog.wordpress.com/ interviews Joanie Toogood, the rough, tough, but kind-hearted street girl from Judith Arnopp’s The Winchester Goose
Monday 15 July Samantha Wilcoxson http://samanthawilcoxson.blogspot.com interviews the tormented and conflicted Munro from Turn of the Tide and the Munro Scottish Saga by Margaret Skea
Wednesday 17 July Cathie Dunn https://cathiedunn.blogspot.comInterviews Aldaith, the long-haired, muscular Viking Warrior from Sarah Dahl’s Viking saga The Current, Bonds, and Battles
Saturday 20 July Margaret Skea http://www.margaretskea.cominterviews Alex Marchant’s young loyal page to Richard III, Matthew Wansford, in The Order of the White Boar series

It is finally coming together.
What happens?
On 5th June I am going to interview a character created by author Christine Hancock. His name is Byrhtnoth. 

Sunday, 25 February 2018

Psychic Distance.

Dunvegan, Skye
I found a new writing term today. Psychic Distance. I discovered it in Emma Darwin's blog - This Itch of Writing.  I've been been re-writing Dark Pool into  VIKING SUMMER over the last couple of months, and since reading her blog I now know I've been playing around with psychic distance for one of my characters!

I got to 25 in my first edit and decided my heroine wasn't coming through clearly enough. Things happened to her, but there was no sign of how she felt about it all. Big mistake! (The original story was written  over twelve years ago when I hadn't been very long published!)

After thinking for a while I decided to concentrate on my heroine. After all, it was her story, and not Finlay of Alba's tale, though he was quite important. Making her my POV figure, using first person for her and third person for anyone else, would focus attention on her and get me closer to her. I sighed, because it meant a lot of work.  I was working on chapter 25 when I made this decision, and then had to go back to the beginning and re-draft each of her scenes, but it certainly got me thinking as if I were in her shoes. Her sometimes snippety voice started coming through and I liked that. (Perhaps I have a snippety voice too?) As Ms Darwin's blog says

"The closer-in we are to that character's consciousness, the more the scene and how it's narrated is coloured and shaped by that character's personality."
So the second draft concentrated on altering my heroines scenes. I also discovered something else I had to change. There was a dramatic incident, very important to the tale, and I had reported  it from two character perspectives and thus reduced the impact of said incident. 
I decided the incident should be with my heroine; I incorporated some of the description of the second character's discovery into her scene,  and omitted the rest. That made it much more her discovery and gave it more impact. Odd how these things leap out and demand to be changed. 
Technically then, I am on a third draft now and closing in rapidly on the magic words - the End.