Chatsworth House |
We’re told tension in creative writing comes from conflict,
and depending on the genre, it has different causes. With romance it’s all
usually quirks locked away within the characters, only to emerge when one party
meets the (potential) love of their life only to discover an opposing habit
or quirk that means they cannot be together. Think kleptomaniac meets
policewoman – bound to be problems there. Or man with alcohol problem meets Salvation Army woman; addictive personality meets iron-willed volunteer. How do you get those two together in a lasting relationship?
Battlefields, courtrooms, schools and hospitals all provide
conflict without the author having to struggle too much, but seeking conflict
in suburbia is more difficult. Suburbia is inherently safe, at first
glance. But think of the Bennet women,
living under the threat of being turned out of their home once Papa died. Unless
one of them married well, they were doomed to a life of drudgery and that sort
of conflict rules lives and forces decisions that would otherwise not be taken.
Fortunately houses are not usually entailed in suburbia these days, but
sometimes it is damned difficult to keep on paying the mortgage. Pile on the
agony by having the breadwinner die unexpectedly, and a teenager turn to drugs
or run wild, or worse still, run away. The result is almost more tension than the
writer can handle.
the drummer |
This is just a reminder for me to sail Matho closer and closer to the wind…
1 comment:
Interesting post, thank you, Jen.
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