Modern art does nothing for me. One artist seems to have taken a six inch wall-paint brush, dipped it in scarlet paint and run loops and whorls across a giant white canvas. That’s art? Forgive me, but I don’t get it.
A meal, followed by a glass of wine in a pub, and then off to the Fortune Theatre on Drury Lane to see The Woman in Black, from a novella by Susan Hill. It’s a long time since I attended a London theatre, and I’d chosen seats in the balcony. Good thing I don’t suffer from vertigo! Two actors took all six or seven parts, and the wickerwork linen hamper became alternately a bed, a chair, and a (moving) pony and trap. As with modern day films, surprises in the plot were accompanied by exceedingly loud noises that had me flinching. Excellent acting, and an intriguing story with a ghostly touch; indeed, the ending is terrifying.
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