Showing posts with label promotion. Show all posts
Showing posts with label promotion. Show all posts

Thursday, 6 November 2025

Massive probs for Amazon

I think my time placing Ads on Amazon to promote my books is over.

For the last 18 months I have the feeling they are benefitting from me rather me benefitting from them. Sales are way down and even KENP reads are none-existent. Now this may be for a number of reason but  Amazon glitches are not helping.

To be honest, this time my bank had a rather large part to play because they declined to pay off the invoice for no other reason than fraud protection. They suspected/were checking that I was really me, so they said when I rang today. So they were the reason Amazon stopped everything dead. 

I think the banks should at least e-mail people if they are going to do this. Their action has caused me awful problems and all for nothing - there was no fraud.

Though I have spent a good hour online with Amazon Ads AI helper today telling them their billing page does not allow me to pay the wretched unpaid invoice (for $9.18 cents.) In the end the AI helper handed over to an attendant and though Avindar could send a message to me, I could not send one back to him. No joy with  Microsoft Edge (my normal browser)  or with Firefox or Google Chrome. (The AI helper thought that would help if I changed browsers.) I think Amazon Ads has massive problems these days.  Anyway, I gave up and took the dog for a walk.



Saturday, 26 January 2019

The mysterious art of guest blogging


I have never “guest blogged” anywhere, but they say it is one of the best ways to promote a book. So I’ve been reading around the topic and here are some hints and tips I must remember.

Most important is to think about where your readers are likely to be? Genre is all-important. You’ll reach a lot more romance readers at “Romance University” or “Romance Divas” than general purpose blogs. Look for blogs of authors in your genre with a good reader following.

Use your protagonist’s hobbies, interests, or profession.
Location can provide opportunities. If your book is set in a particular place, reach out to travel blogs about the area of your setting. People planning holidays buy more fiction than people arguing about grammar.

The only way to tell if a blog attracts people who really might be interested in your book is to visit and read the posts. Read the comments, too. Leave comments on posts you enjoy. The best place to start querying is a blog you read regularly because you genuinely like it and have an interest in the topics it addresses.

Read the Guidelines and follow them. Write with proper paragraphing, punctuation, capitalization and spelling. Be businesslike, concise, respectful, and don’t lie. A blog query should start with a sentence explaining why you want a spot on that particular blog.

Pitches need not be elaborate. Give possible topics with a few sentences after each about your angle and why you’re qualified to write about it. Ie How to Market Books on Snapchat. I’ve boosted my sales by 25% with this method. I’ll provide a step-by-step how-to.

There’s nothing wrong if your blog has a small following. A powerful reason for guest blogging is to extend your online following. If you’ve been a guest of a big, popular writing blog like The Book Designer, Jane Friedman, Writers on the Storm, Fiction University, Romance University, etc. that’s a big plus, too.

Don’t simply offer another blogger a same material. You can offer to write on the same subject, but don’t simply offer a cut-and-paste.
If you have a time window, giveaways, contests, etc, and you want this post to be part of a blog tour, be sure to mention it.

Make sure you will be available in that time window to respond to comments.  That way you'll make connections and sell books, so if you’re not available, you’re losing sales.

The most helpful piece I read on guest blogging was by Anne R. Allen (@annerallen) January 20, 2019 and there’s a lot more than my sparse jottings on her blog for those who are interested in guest blogging.

Friday, 12 October 2018

PR, promotion, call it what you will

Nearing completion on my wip, so my thoughts are turning to the inevitable PR exercise that accompanies any new book.
It is about time I got to grips with Mailchimp again, so maybe that should be first on my list. Then I'm considering pre-ordering on Amazon to see if that stirs any interest, but I need to get a little nearer completion before I upload the details.
Then there are the posts that have to go out until one feels that one's head is as solid as the desk at which I work each day.
Reading some of the literature on the internet about marketing strategies and plans makes me feel tired before I have begun. It takes as much time as writing the book! Old ways of spreading the word seem to have changed. I no long see any yahoo groups coming up on my feed and presume they have mostly succumbed to falling usage and given up the ghost. So what has replaced them? The Snapchats and Instagrams and the other boards I know nothing about? Perhaps.

I have a blog, I use Facebook and Twitter, but to be honest I mostly talk to other authors, and that is not what I need right now. Methinks I need to widen my scope and veer towards readers. With this in mind I have joined Goodreads for the third time and hope  to make some headway in understanding how to use it. The site is not the easiest to understand.

There are other options to consider. Paid advertising, of course, which is probably linked to the winnowing down of Facebook contacts that seems to be going on. Blog tours, sending out arcs to get reviews, and a host of other things. Authors are running to keep up with all the tasks they need to perform...

It is always about this point that I wish, really, really wish, that I was attached to a big publishing company who have professionals to do this sort of thing. How nice to be able to swap ideas about what will work and what will not; what will sell and what is last year's golden child.


Wednesday, 22 August 2018

Mailchimp learning curve

I am desperately mugging up on how to get Mailchimp to send out an ebook! I am sure it will do it; the trick is for me to find out how. 

I've googled how to do it, and it sounds simple; I've changed the cover on my Word copy of Fair Border Bride and re-saved it as a PDF, so I guess I am good to go as they say these days. I hesitate because I'm slightly distracted by an aching tooth and know that an appointment with the dentist is looming in 45 minutes. Might be better to wait until this afternoon when the dentistry will all be over.  I wouldn't want to get half-way through the process and then have to leave it or worse still, make an absolute hash of it.

Also I think my newly ordered mouse will arrive today. I'm hoping it will correct the slovenly way my old mouse is operating - clicking when it feels like it and ignoring me at other times. I suppose they do wear out at some point.






Friday, 17 August 2018

Newsletters

Memories of France

Trying something new at the moment. The internet seems inundated at the moment with “experts” telling us aspiring authors how to sell more books. I followed Mark Dawson’s posts but decided I could not justify spending roughly £600 on an online course even if the information I learned would jump up my sales by x percent. Cynic that I am, I thought that if everyone followed his advice, then every indie author in the land would be earning thousands every day. Now that just isn’t going to be true, is it?

Seems to me that if it works for one or two authors, that’s great, but don’t expect the same result for everyone who tries the same methods. However – takes deep breath – there is some logic in what he says, so I am cautiously dipping my toe in the pool of newsletters. Sent out an exploratory e-mail to everyone I know whose email address I have on hand. You would think I’d have more than I collected together, but in my naïve days I didn’t keep back-ups and through a PC crash and my natural instinct for paper-tidiness and throwing away anything old (I inherited that trait from my mother; she was a devil for throwing things out. I lost several favourite books that way.) I have only a small number. In a way that is good, for I can build up slowly. It would be soul-destroying to discover that half of the emails were “dead links” or that people didn’t want to know me or my newsletter.

So the introductory has gone out, with no rude replies so far. Now I am exploring Mailchimp on advice from family and friends who all seem to think it is great. It probably is, once I’ve worked my way through it, but right now, it seems so complex it is making my brain ache.

Thursday, 24 May 2018

Book Cover Blues

Received wisdom  among many authors on the internet is that  a new cover on a book can rejuvenate sales. Perhaps rejuvenate is the wrong word; they say a "better" cover will enable the book to sell better than a mediocre one. This applies  mainly to self-publishing authors like me, since those who have contracts with publishing houses will follow the dictates of the said houses. Authors tell stories of trying three or four covers until the "right" one catches and sales follow. Since I can decide for myself if I want to do a new cover, I thought I would try it.

My book Far After Gold has been out in the world a while, firstly as a paperback with Quaestor 2000 in 2009 and a fairly run of the mill cover taken from one of my photographs od Sandwood Bay in NW Scotland; when Quaestor ceased trading, I re-edited and published on Amazon Kindle in 2012, again with a cover I'd created.

It did fairly well for me, but with the recent drop in Kindle sales across the market (they say everyone is going back to "real" books!) I thought the time was right to experiment. It is hard to define exactly what sort of cover would describe the content of the book; pagan Viking male and Christian girl as slave - will they find happiness? so I centred on the girl's feeling of loneliness and desolation in being taken by marauding Vikings and sold as a slave in Dublin market and came up with the first cover: 

I wasn't entirely happy with it, and among the good comments came the criticisms, so I had a second attempt. Looking at them both side by side like this, I can feel a third attempt coming on!

Thursday, 30 November 2017

Taking Note

I'm a notetaker when I listen to talks, especially when the subject is writing. The trouble is I rarely go back and read the notes I've taken. Take the batch I found yesterday, torn out of a notebook and stuffed inside another, smaller notebook;  notes, unloved,  from a meeting I attended in 2014 and have totally forgotten.

The heading is "Marketing = Product - Price - Promotion - Place."
Half-hearted notes below this state that I must know to whom I am selling my product; well the answer to that is easy - anyone who reads, and will buy. Do I have an average client in my head? Of course not. I haven't a clue what kind of people read historical romances. 

Price, the notes say, reflect the quality of the  product in people's minds. Price them cheaply and people won't think they're worth buying. I didn't take note of the obvious corollary - that expensive books  must be "good quality" because I don't think that is necessarily true. I love reading and buying books, but I won't pay above a certain price for them - usually. I did pay £18 for a Dunnett hardback some years ago, but that was most definitely a "one-off." My notes say 77p/99$ is the lowest price on Amazon

Which leads to Place - where to sell?  I know the answer to this one - and in my own confused way, I have been tracking down web sites where readers are searching for romantic historical fiction. So far I've limited my efforts to Twitter and Facebook. No paid ads and no use of Instagram or anyof the other, younger sites. At least I know I shouldn't promote my books where the taste is for thrillers or crime. 

My notes say Promotion depends on whether you are selling ebook or print, but I see many authors promoting both on the same sites. I don't know if it works for them or not. It takes me all my time to promote e-books and let the reader discover there is a print copy - I did one for Queen's Courier and Abduction - when they go to the Amazon site. I hope that comes as a nice surprise.

But then, I'm probably not doing any of this as I should be doing it.

Monday, 1 August 2016

Cover Reveal ~ Queen's Courier

I've lost count of how many times I've said this - I'm almost at the end of the final edits on Queen's Courier - but I really mean it this time. I am reading at a snail's pace and finding things to correct, which makes it worth while. This is the final read through via the Online Previewer and the cover is already loaded, won't change and so I'll put it here today.

I've been looking back over the year's KENP stats (since July 2015) and I'm happy to say that they are definitely going up. The month just closed was the highest figure I've had, and it is mostly due to The Gybford Affair. Strange to think that it sat with MuseItUp for a year or two and attracted very few readers. I think the combination of pretty but irrelevant cover pic plus a high price did the trick, but it could also have been because I did very little PR work on it. So once I get Q'sC off my hands  (ie published,) I'll concentrate on PR and see if it has any results.

It is interesting to see how the stats go in waves. A book will be read for two or three months and then there'll be a gap when it is not read at all, then off it will go again. I can only assume it is when promotion works. Maybe those alerts Amazon send out - yes, they advertise my books to me, which always amuses me - maybe they do a lot more good than I know.


Wednesday, 26 August 2015

Kippers, anyone?

I'm pretty close to releasing another book and wondering how many checks I'm willing to do on the text to make sure it is perfect! Once the plunge has been taken, I'm going to concentrate on PR and Marketing my list because I have ignored the need for it for so long. Most of this year, in fact. I am writing a second draft of a sequel to Abduction of the Scots Queen, but that will take some time and I don't envisage publication until next year at the earliest.

I'm also investigating the possibility of a week's holiday in a cottage on the Northumbrian coast in the autumn. It seems such a long time since we came back from France, and change of scene would be nice. The weather can be really good in the autumn, too - bright, cheerful days full of colour. I have to check carefully  before I book, because not only do we want somewhere nicely furnished and not too Spartan, but we want to take Tim. Some places won't take dogs at all; some charge for them. Some say they must be comfortable on the lead because of livestock and wandering cats and hens which is fair enough but not for us. Tim still pulls like an express train on the lead. What we want is wide open spaces where he can run to his heart's content. Then there's the internet/wi-fi situation to consider, I'd want to take my laptop and keep up with writing and all its attendant responsibilities, and dh will want to be in contact with the off-spring in Australia plus his interests. So, the coast seems a better option for us than the countryside with all its cows and sheep, and I'm looking at the area around Craster and Embleton. Craster is famous for kippers and not far from Dunstanbrough Castle and there are some gorgeous beaches along the Heritage coast. Might be windy, but it certainly won't be crowded!

Monday, 20 October 2014

Self-publishing and praise

Time to turn my attention to something new - or two things - Promotion and A New Story.

As autumn sets in here in Northumberland, the days are growing shorter and the nights longer. The days are still amazingly warm. Yesterday afternoon was 16.5 C and there are flowers blooming among the berries and fallen leaves. Last night I kept moving to a cool spot on the sheets and we have not had the heating on much at all yet, hence clammy towels in the bathroom, which I hate.

But the weather will change, as it always does, and indoor pursuits will become more important - and the radiators will be hot and towels cuddly and warm when I want them.
Promotion will be a necessity, now that I have a paperback out in public. (I haven't, yet, but it won't be long now, and I'm starting to think about what I should do.)

Some people have said I should have begun already, but there was no time. It seemed silly to put the book aside and work on promoting it! Much better to finish the book and get it published first. This, of course, is where traditional publishing wins out. While someone else worries about editing, covers and proofreading your book, you can be off and away doing other things. What a lovely thought. But I listen to authors saying how wonderful it is to have an editor to discuss things with and decide upon alterations and wonder how much of the story changes in those discussions. How big are the alterations? How much is then down to the author and how much to the editor? At least with my story I can only blame myself if it bombs - but on the other side of the coin,  I can take all the praise - if there should be any!

Saturday, 21 September 2013

Freebies


Reading this piece, published in the Guardian recently, is a warning blast across the bows of would -be writers: http://www.theguardian.com/books/2013/jul/25/anakana-schofield-how-to-write

It seems writing the book is not enough - you have to publicise it as well. That means attending launches, doing readings, possibly opening supermarkets for all I know - all in the name of getting readers to a) buy and b) read your book. I have the strangest feeling that to anyone but the writer, a) is the more important aspect. How many you sell determines the next contract.

Today I heard from a friend who has been asked to write a short story in the style of her latest book and have it published for free in a national newspaper. Bravely, she turned them down when they refused to pay any fee or donate to a charity of her choice, and went on to sell the story to another publication. Why is it that something taking hours of work should be snapped up and swallowed whole, for free? Are writers so desperate for any kind of publication that they will settle for such deals? The newspaper would no doubt argue that the exposure would attract many readers - but can they prove that? It may do the newspaper or magazine some good, because the story would be worth reading - but there's no guarantee that the reward will come via a bookshop sale for the author.

People say that  free book on Amazon acts as a taster and lets people know if they like the writer's style. I'm sure that's true, but again, stories take time to write and surely the author should be paid for that work? A book can be on sale on Amazon for under a pound (or a couple of dollars) and if people can't shell out that amount for something that took weeks to create, then words fail me.

(The picture is a winter picture of leafless trees and a scatter of snow across the grass - a taste of things to come)


Monday, 2 September 2013

Promotion

Does anyone enjoy promoting their own books? I'll admit to a certain fascination with it, but it can soon become a drag. But it seems that without  some solid PR, then book sales slide and dwindle to very low figures.  There is a school of thought which says have something up for free on Amazon all the time - and think of it as a PR item, or maybe a loss leader. Right now, after the way Yahoo has gone through its groups with a dose of salts, the idea is unappealing to say the least.

I aim to write for my blog three times a week, and more often than not I keep to it but I rarely talk about my own work and still less do I promote it. I have a separate page for My Published Titles, but I suspect few people ever go look at it. I have a Facebook  page, so my posts go up there on a regular basis plus any other comments I make direct to Facebook. I'm on Twitter, but I'm not a natural Tweeter and find it a struggle to be amusing and interesting in 140 characters. Some people seem to do it so easily! But at least I'm there. I think those people who are articulate and can think and speak at the same time are the winners at PR, but I suppose, like many other things, it's partially a learned skill.

I'm thinking of writing a short story and putting it up for free. I read an American blog where the author aims to write 1,000 words a day, therefore a new book every three months. Allow for editing etc and that means 2 new titles for sale a year. Well, I can manage the 1,000 a day (most days) but then I want to edit and edit ... I must be one of those authors afraid to let the book go.

In case you're wondering, the pic is a close up of heather!

Wednesday, 18 April 2012

BOOK TRAILERS

http://www.youtube.com/user/JENB211?feature=guide

Apart from the fact that I like making them now I've got Windows Moviemaker, are book trailers any good as a promotional tool? Now that I have my new book out, I'm wondering if I should make one for Reluctance.

 If you follow the link above, you'll see I have four trailers up for viewing, but I'm constantly surprised by the number of views they get. Not that they get a huge number, but that the book that sells the least has the most views.
Isn't that odd?  and to make it odder still, the title that has sold the most copies has the least number of views. This suggests that there is a direct and inverse principle operating here!

I'd love to hear your views, and how you promote your trailers, so feel free to leave comments here!

Sunday, 26 June 2011

My promotional bit

It occurred to me last night when I couldn't sleep that I hadn't put the message out about my book on my own blog! How stupid could I be?

So - there's a trailer for it: here

The link to buy at Amazon UK: here
Amazon.com: here
from the publisher: here

Genre: Contemporary romance with ghosts
Blurb:
Melissa thinks she’s taking a huge risk in going on holiday with Rory Hepburn. He may be gorgeous, but she only met him three days ago. But when she sees the old watermill in rural France, she is delighted. Within ten minutes of her arrival, she sees the man in black, but thinks nothing of it. Concentrating more on keeping her secrets and sleeping alone, she is shocked when ghosts disturb her first night at the mill. Not just one ghost, but two. When Christophe arrives at the mill, the chic Frenchman regards Melissa as his soul mate, and Melissa knows she’s in real trouble.
A chilling tale, written with humour and drenched in the sights and perfumes of the rural Dordogne, this is a must-read tale for those who like a romance with a ghostly twist.

This my fifth published book, and my first contemporary tale. In many ways writing about character in this century is easier than writing about people in the sixteenth or eleventh centuries. There isn’t as much research required, though it’s important to get things like brand names, distances, food and fashion right - hairstyle or hemlines can speak volumes about a character’s personality today.

I wouldn't be surprised if you already knew I lived in Northumberland, a corner of England rich in castles and history, and that I visit France regularly for summer holidays. So you can believe me when I say I've walked, sat, eaten and enjoyed all the places I write about.


Excerpt One: Melissa arrives at the mill and loves it. She has a swift look around while Rory prepares a meal for her. (A bolly is what the locals call a verandah)

The white table already held a bowl of salad, a wicker basket of bread and the opened bottle of wine. He was fast and efficient. No sooner had she taken her seat than he put a plate of steak before her and offered the salad bowl.
She tilted her head back and smiled at him. How good to have a man prepared to cook for her. "This looks delicious. Does Jonny plan to do a lot of work here?"

He picked up his cutlery and cut into his steak. "The grand plan is for two bedrooms and a bathroom on the lower level so Jonny can invite friends. The bathroom's finished, but the rest is a muddle."

That meant no bedrooms on the lower floor, and only one on this level. An ugly suspicion bloomed in her mind. Melissa heaped salad onto her plate and replaced the steel salad servers carefully in the bowl. "Then am I right in thinking there is only one bedroom here?"

The chilly edge to her voice brought his head up.
His peacock blue eyes narrowed. "'fraid so. That isn't going to be a problem, is it?"

Dismay at his deception roared through her, and small flash of fear and timidity followed it. Yes, one bedroom most certainly would be a problem. She wasn't ready. Not yet. Talk about being taken for granted—the conceited ass expected her to tumble into bed with him without a second thought. She inhaled sharply. "It is presumptuous of you to assume I'll share a bed with you right away."

He stopped eating and stared at her, surprise etched into the lines of his face.
Had she misjudged him? Maybe she had jumped to the wrong conclusion. He'd be insulted if that was the case. So she offered a sweet smile and spoke gently. "Unless I'm wrong and you intend to sleep on the sofa?"

"Presumptuous?" His gaze darted across her face. Presumably he was trying to read her expression. He didn't know how to answer her. Melissa lifted her brows slightly, smiled without opening her mouth and waited.

He put down his cutlery and picked up his wine glass. "What do you mean?"
She frowned. How could he pretend he did not know what she meant? "We are not lovers." She bit off each word. "We may become so, but right now I expect a room of my own." Heat rose through her skin, and her hand trembled on the rim of the table. She whipped it out of sight. Let him make of it what he would.

Rory swallowed too soon, choked and coughed.
He flung himself out of his chair, coughing, one fist to his mouth as he strode across the bolly. As the fit lessened, he thrust one hand against the oak upright supporting the roof and stood there, head down, breathing hard.

Annoyance did not stop her admiring the way his shoulders heaved with his breathing, or the graceful way he stood even when he was in some distress. His attention was not on her. It was the first time she'd seen him rattled, and his reaction interested her. When his breathing calmed, he slowly strolled back to the table and took his seat.

His eyes still watered a little, and he blinked rapidly to clear them. "Christ, I feel as if all sorts of pits are yawning at my feet. Would you believe me if I said I honestly hadn't thought about it?"

Melissa sipped her wine. She didn't believe him for a moment. "How could you ignore it? There is only one bed."
He winced, as if her words pained him.
Refusing to weaken, Melissa stabbed at her steak. How arrogant was he? Did he think every woman in the world begged to be bedded?

Birdsong sounded all around them in the warm green silence.
"Melissa."
Her heart flipped over at the sound. His deep brown voice stirred her senses just as it had the first time they'd met. She must get a grip, or she'd be lost. Her pulse ran fast and her chest tightened. This was important. She looked up, prepared to fight.
Watchful intelligence overrode his initial surprise. Now he sat back and sipped his wine and she remembered he was a successful solicitor, with an important and well-known law firm.

"Please don't feel under any pressure. We've only just met, and…I don't want to spoil things by rushing them. If you want to sleep alone, that's fine." He hesitated, as if he might add some comment, and then thought better of it. "There's a large squashy sofa in the living room. I'll sleep there."

The tension in her shoulders disappeared. She ought to be pleased he'd capitulated, but something rankled. She'd expected him to try and change her mind, persuade her. He might have tried. Part of her, inexplicably miffed that he hadn't, made her say, "We'll toss a coin for it. That would be fair."

He raised his wine glass and offered an agreeable smile. "I'll drink to that."
Instantly she regretted the surge of independence that made her make the offer, and hated the easy arrogance that allowed him to accept her challenge. He'd probably win, and she'd be the one on the sofa. She'd been outmaneuvered.
He had such charm and knew how to use it. Once, in a rare mother-daughter-sharing-secrets evening, she'd asked her mother what had led her to the one-night stand with Lt. Col. John Hazlerigg. Her mother had smiled, rolling the wine glass against her cheeks as she considered the question.

"Power," she'd said at last. "Not money, but a physical presence and an air of command. Charisma, allied with such certainty your knees—well, mine in this case—wobble and everyone knows he's the alpha male in the pack."
Melissa had spent the next week analyzing the concept, but reached no definite conclusion. Now that she'd met Rory, she understood something of her mother's explanation. There had been that odd tingling in the back of her knees when Jonny introduced them, and the way her heart skipped about in her chest when he spoke in that gorgeous voice.

If she'd ever met her father, she might have had some standard to judge by, but Hazlerigg was married and out of bounds. Mother had refused to inform her lover that he had fathered a child because he would have felt impelled to marry her. That would have ruined his career and broken the heart of his then fiancée.

Melissa's fingers twisted together around her wine glass. She rarely thought about her illegitimacy now, and had never betrayed her mother's secret. But the old, churning feelings returned whenever she was reminded of it. Tonight she had an additional worry. If Rory ever found out, what would he say? His parents would certainly hate her. Relationships could not survive without honesty, yet she was constrained by a promise never to speak of her father.

"This dressing is delicious." Her voice sounded brittle in her ears.
Not speaking of her father had been hurtful all through her childhood. When the other kids boasted of theirs, Melissa had nothing to offer and suffered agonies trying to hide the fact. Promising herself that the same sort of relationship would not do for her, she had vowed never to sleep with a man until she knew him really well. Maybe even until she was married to him. Adrian had been a terrible mistake.

"Easy enough to make here. Garlic is fresh and olive oil plentiful. What were you daydreaming about?"
"Oh, nothing special." She glanced up, smiled brightly at Rory while she tried to think of something to cover her lies. "Listening to the birds. They sound so close and there are so many. It's not like this back home, is it?"

Rory cleared the plates, and the break gave her time to regain her composure. Another glass of wine helped calm her, and when Rory produced strawberries for dessert, she exclaimed in genuine pleasure. When they were eaten, Melissa stretched out her legs toward the evening sunshine and let him clear the table. Two glasses of wine, a good meal and she was more at ease with herself.

Excerpt Two. Melissa volunteers to sleep on the sofa instead of Rory.
Melissa looked at her watch. It was well past midnight. The sofa was comfortable, but the unaccustomed heat kept her awake. Spending summer in a romantic old water mill in the Dordogne did have disadvantages. When she ran tentative fingers over her flanks, her skin was slick with moisture.

The warm breeze from the open window moved through the room, but brought little relief. Crickets chirped so vigorously they might have been sitting on the hearthstone five feet away. A cold drink would be good. She scrambled off the sofa and tiptoed across the floorboards, hoping she wouldn't step on any insect life. With her hands under the kitchen tap, she welcomed the gush of cold water, gulped some from her cupped palm and ran her damp hands over her face.
Fumbling her way through the shadows to the door, she released the latch and stepped outside.

That was better. Cool air breathed across her skin. Ignoring the quick rustle of lizards scurrying toward crevices in the old walls, she strolled to the chairs, pale and cold in the moonlight.
She sank into one of them, and flinched at the coldness of the plastic against her skin. Stars blinked above the massed ranks of dark trees. A breeze that never reached the valley floor swept across the topmost leaves of the tall trees in the meadow and produced the soft susurration in the air that was already familiar to her.
Rory slept in the big bed on the other side of the wall. He did not like their current sleeping arrangements. The tightening of his mouth, the flexing of his jaw muscles had shown that, and said very clearly that he'd let her have her way but he was not the kind of man who gave up easily. Had his pride suffered when she refused to share his bed? He had certainly been surprised. Would he try and persuade her, or sulk until she gave in?
It had been a good decision not to let Rory sleep on the sofa for then she would have felt beholden to him. Much better that she owed him neither gratitude nor thanks at this point.
She stroked her thighs. Already the slickness dried from her skin. A wisp of long grass whisked along the flagstones, breathed across her foot and vanished. Rory had shown her a shed snakeskin as a warning not to be frightened if she saw the owner one day. The fragile, almost translucent skin had been trapped between the stones of the bolly and the old drain not four feet from where she sat.

A cold breeze wandered by. Melissa hugged herself against the sudden chill. Perhaps this was a crazy idea after all. Flickers of movement caught her eye. For no reason, her heart thudded in her chest. With her teeth pressing on her lower lip, she stared at the western end of the bolly where one of the four oak pillars supporting the tiled roof stood out sharp and clear in the moon's glow.

Beyond them, the shrubs and rose bushes were gray against the dusty, moonlit ribbon of the drive. Nothing moved. She heard nothing but the soft sound of the breeze, yet her heart bounced faster, as if she were in danger. Muscles tense, she sat poised, ready to run.

The shadows made it difficult to see anything. The blackness moved and twitched close in against the house wall, less than ten feet away. A pale shifting blur morphed into hands and a face. Melissa's fingers clung to the chair arms while she strained to see through the darkness. Hair lifted on the back of her neck and goose bumps sprang on her arms. She stared at two pale blurs, one above the other, moving very close together. Sure it must be some young couple seeking privacy, she opened her mouth to call out. But some instinct held her rigid and silent. What if they weren't real?

Her heart beat so loudly that whoever lurked by the wall must surely hear it. She forced herself to inhale slowly and quietly. Her heartbeat slowed a little. The air around her was cold. It's always cold when—she slammed down on the thought about ghosts before it formed in her mind. She looked at the space between herself and the door, and the door and the dark, shifting shape.

She could reach the door. She had to.

The chair scraped across the flagstones and drowned the slap of her bare feet as she hurtled into the mill, slammed the door and rattled the bolt home.
Flexed from the hips, palms braced against the half glass door, she waited, mouth open, panting. Through the mottled glass and the wrought iron Perigourdine goose that guarded it, moonlight lit the grass beyond the bolly. Nothing moved. Her breathing slowed. She remembered she'd seen a baseball bat by the door and groped for it without taking her gaze from the door. The smooth wooden shaft came comfortingly to her hand.

Something creaked behind her. Melissa whirled on a sharp indrawn breath. The bat cocked and ready, she watched the door to the hall open. A large, shadowy form ambled into the living room. "Wha's the matter? Did you shout?"
"There's somebody out there."
"Out where?"
"On the bolly." She flung out an arm and rattled her knuckles on the goose guard. "Ow."
Rory ducked his head, ran both hands over his face. Straightening his shoulders, he walked toward the door. "I'd better have a look."
Melissa stepped aside. He stooped, fumbled for the bolt in the gloom and pulled the door open. Melissa held out the baseball bat. "Take this."

Rory blinked at the three feet of pale, solid wood and made no move to take it. "I could kill someone with that."
"Take it." She thrust it into his hand. It seemed imperative he have some protection. There was something nasty out there.
Reluctantly, Rory hefted it and stepped across the threshold. "Put the lights on."
Melissa pushed the door curtain aside and ran her palm down the bank of switches. Light bloomed inside the mill, and floodlights snapped on at each end of the bolly. Startled birds squawked, complained and clattered about in the trees.

"There's nothing here, Melissa. Come and look." He sounded wide awake.
Suddenly aware that she was wearing only a tee shirt, Melissa whipped the door curtain across her hips and peeped around the doorjamb.

Moonlight emphasized the broad shoulders tapering down to a lean waist and flat stomach. Wrinkled, striped boxers hung low on one hip. His hair stuck up about his head, and the baseball bat dangled from the fingers of one hand. The width of his chest and the prominent muscles of his arms and thighs were reassuring.
"They might—" Her breath caught in her throat as all her initial attraction to Rory rushed back and choked her. She coughed and tried again. "They might have gone round the back of the mill."

Strong men, smart heroines, make for a good story.

There now. I can rest easy. I've done my promotional bit. Normal service will be resumed as soon as possible!

Wednesday, 5 August 2009

Numskull anyone?


I often write quite fast (and at others I write very, very sl-o-w-l-y!) but sometimes I surprise myself with the words I use. In a story set in 1803 I used the word numbskull and when I read it back thought h'mmm, how accurate is that? Would they use that word then?

I checked it today and find that numskull was actually used in 1717 to indicate a silly, foolish person. So I am happy - a slight variation in the spelling, but it is OK. It can stay.
I received my first Royalty statement and cheque today. No great shakes as far as amounts go, but a real milestone in my personal writing history. I may just frame it and hang it on my wall!
Makes me want to keep going, carry on, do better. It would maybe help if I did a little promotion now that Quaestor2000 has its distribution problems ironed out. I must go and read Ginger's blog as her guests are talking about promotion. I can learn a lot from our American friends who take to it so naturally.
The flower is a buddleia, in case you wondered.