Showing posts with label locations. Show all posts
Showing posts with label locations. Show all posts

Sunday, 12 August 2018

MORE ABOUT LOCATIONS (for writers)


Setting Far After Gold in the north west of Scotland was both better, because I had spent many holidays there, and worse because there wasn’t an equivalent large settlement like Dublin. http://www.ullapool.com/ullapool-history is a starting point for the history of the area and the latest large scale maps show where the settlements and brochs, rivers and fords once were and sometimes, but not always, still are.

 I could describe the landscape because I’d seen it, as long as I made allowances for the changes that have taken place. Forests were much larger around the eleventh century and land was undrained and often swampy. Fords and known tracks were important for travellers and travel by sea was deemed much easier than travel overland. I had experienced the weather of the north west in the summer months and late October, early November; research told me which animals once lived there. We no longer have wolves in Scotland, but wolves and bears were certainly present back then.

Orkney is another of those places where research pays dividends. I’ve never been, but archaeology provides a great deal of information about dwellings, artefacts used, crops grown and where settlements were. Google Earth is fantastic for giving an author a feeling for the size of a place and the geography around it. The satellite imagery will give a very good idea of where you might beach a ship or find a way through the mountains and contour lines of maps will suggest whether you might end up in a bog or fall over a cliff face.

Thursday, 9 August 2018

Locations (for writers)


I like researching locations for my stories. Contemporary stories in a foreign location are easily researched with tour guides, travel books and all the resources of the internet, but set the story in the past, and it’s a little bit harder to visualise. Georgian, Victorian and Edwardian locations are not too hard here in England as many of the streets and buildings are still extant, but when I made a 4 day trip to Dublin and found that the street I had set my heroine’s home on was still there I was surprised and delighted that I could walk up and down it. 

Why was I surprised? Because I had set my story in the eleventh century – almost a thousand years ago. (The fact that the street looked nothing like the scene I had envisaged didn’t spoil things for me. There might be fairly ordinary brick buildings there now, but the shape of the street was the same, I could see how steep it was, whether I could see the river or the sea from there, and it led to the cathedral that was being built at the time.)

Dublin was a famous Viking stronghold and an ancient settlement even when the Vikings arrived, so maps of the place in those days were easy to find online and print out thanks to archaeological studies. I could really get to know the layout of the Viking town from the maps and they showed the development from the earliest settlement to the 1200s, which covered my period of interest. Visiting the place showed me how narrow the river is now compared to how much shallower and wider it had once been before Lord Sitric confined it and reclaimed what had been swampy, tidal land.

All this came in useful when I wrote VIKING SUMMER published this year, and MAGICIAN'S BRIDE. 

Wednesday, 30 July 2014

Setting



When people talk of a book's setting, what do you think they mean? My immediate answer would be Scotland in 1543 for the book I'm currently working on. Is that enough? For a swift answer in a verbal exchange, I think it is. If they want to know more, they'll ask.

If I had to write an article on setting, I would elaborate. Setting is important. I use everything I can to make the reader think "sixteenth century Scotland." After all, life in Stirling Castle has to be vastly different to living in a three bed detached today.

Setting is many things. It's dialect, delicately done, what they wore, how they ate, what they ate and if they did it with their fingers. What kind of plates did they have if they were rich? if they were poor? It's weather and seasons, heat and cold, farm yard smells, perfumes and sweat. Rich tapestries, and straw mattresses. All those things and more. It's how something feels - if you touch a horse, their skin is usually warm, sometimes hot if they're been running. If you see it, can you smell it, taste it, touch it and hear it? Imagine yourself into the pic and tell me if you can smell the pine trees, and hear the wind rustling through the grass. Actually, there was no wind. It was one of those hot, sticky, airless days when the insects are biting. All these thing make up the world of your story. Use them, but use them carefully.

Monday, 6 January 2014

Outlander

As a long time reader of Diana Gabaldon's Claire and Jamie adventures, I have to admit to a slight disappointment re the casting. Jamie was a redhead, and Claire had amber-gold colouring. Couldn't they have used a few packets of hair dye so the description matched the characters in the books? Also, she was some years older than Jamie. I forget how many exactly, but I did look it up once and it was a considerable gap. The actor is 33, the actress who plays Claire, 34.

I would never have described it as a science-fiction-fantasy story, which is how it is being advertised. To me it is historical through and through, though technically it is a time-slip novel. But it will be interesting to watch if only to see if they twist the story as much as they twisted the history in the Tudors. I'll be tearing my hair out if they do. Here are some links to whet the appetite of any Outlander fan:

http://www.scotsman.com/lifestyle/arts/news/outlander-tv-show-will-secure-scots-film-future-1-3166093

http://www.dailymail.co.uk/tvshowbiz/article-2507425/Sci-fi-fantasy-series-Outlander-begins-filming-Scotland-Super-8s.html

https://www.facebook.com/OutlanderTVSeries.starz


Much of the articles consist of  Scottish politicians/business people reacting to the news, but there are some nuggets to be had. The series will be of 16 episodes and will show in the US in 2014. (If it is peppered with adverts, then I suppose that will reduce it to a series of 12 episodes!)

It began filming in September 2013, with locations like Douane, Falkirk and Duns Castles.  To my knowledge, woefully inadequate about today's film world, there isn't a single "big-name" star to carry the series. I suppose they're banking on the success of the novels - 20 million sold and counting, with a new one almost ready to hit the streets. (Unless it already did? Note to self - check!)