Showing posts with label Kindle publishing. Show all posts
Showing posts with label Kindle publishing. Show all posts

Thursday, 3 May 2018

To pay or not to pay?


Spotted this article from Jane Friedman this morning and intend to study it closely since I have been wondering about how to increase the number of my reiews - particularly for my latest Viking Summer, which currently has none. I  have looked at Brag Medallions and such like and was shocked - shocked, I tell you - to discover that you paid  to send your work in for a "possible review/award." It has always been the way of the big book prize competitions to charge an entry fee, but I  assumed that the money funded the cash prize that went to the winner. Anyway, I have steered clear of both! 
Jane Friedman says:
Paying for professional book reviews remains a controversial topic that very few authors have practical, unbiased information about. In fact, it’s not even well-known in the author community that paid book reviews exist, and even less is known about the value of such reviews.
Before I discuss the pros and cons of paid reviews, I want to define them (strictly for the purposes of this post).
§  Trade book reviews. Trade publications are those read by booksellers, librarians, and others who work inside the industry (as opposed to readers/consumers). Such publications primarily provide pre-publication reviews of traditionally published books, whether from small or large presses. Typically, these publications have been operating for a long time and have a history of serving publishing professionals. However, with the rise of self-publishing, some trade review outlets have begun paid review programs especially for self-published authors. Examples: Kirkus Reviews and Foreword Reviews.
§  Non-trade book reviews. Because of the increased demand for professional reviews of self-published work, you can now find online publications that specialize in providing such services. These publications or websites may have some reach and visibility to the trade, or they may be reader-facing, or a mix of both. Examples: Indie ReaderBlue Ink ReviewSelf-Publishing Review.
§  Reader (non-professional) reviews. It’s considered unethical to pay for reader reviews posted at Amazon or other sites, and Amazon is actively trying to curb the practice.
This post is focused on the first two types of paid reviews; I recommend you stay away from the third.
Some of you reading this post may be looking for a quick and easy answer to the question of whether you should invest in a paid book review. Here’s what I think in a nutshell, although a lot of people will be unhappy with me saying so:
The majority of authors will not sufficiently benefit from paid book reviews, and should invest their time and money elsewhere.

She has a lot more to say, and a lot of information on the website for those who wish to discover it. I have bookmarked the site and I have no doubt I will learn a lot from it! Find it here:
https://www.janefriedman.com/paid-book-reviews/


Monday, 10 August 2015

Is it luck or is it skill?

An article in the Telegraph by Arts Correspondent Hannah Furness, gives me hope.

Rachel Abbott has been named as the 14th bestselling author in the last five years on Kindle, after having her book rejected by ten agents.

She joins a list that includes  E L James’ Fifty Shades series, Gone Girl writer Gillian Flynn and cult authors including George R R Martin, Suzanne Collins and Stieg Larson and has beaten Yann Martel, Jojo Moyes, and Jeffrey Archer, after releasing four novels on the Amazon e-reader.

 She retired in 2010 and decided to write a book for her own pleasure. Her first novel was priced at £1.99 – not cheap by Kindle standards – and began to get noticed after Abbott used her marketing experience – she ran an interactive media company, developing software for the education market - to get exposure through social media and forums.

She is one of hundreds of thousands of authors who have chosen to self-publish with Kindle, and is the number one bestselling independent author in its charts.

Kindle is now celebrating its fifth anniversary, after growing from 400,000 titles to more than four million. Analysis of its sales figures, released yesterday, showed Huntingdon, Cambridge, buys the most books per capita, while Yorkshire was crowned “the romance capital of the north”.

H'mmm. Memo to self - must find those sales figures, and must also promote myself though social media. and with reference to the title of this post, I think it is a mixture of both - plus something else - a knowledge of social media!

Saturday, 3 January 2015

Battle lines




Kindle Unlimited (KU) attracted negative press coverage 
as indie authors saw what was happening to their sales. The general bad feeling floating around on the internet since Kindle Unlimited’s launch finally made it to the front page of the New York Times last Sunday“If you’re not an author with a slavish fan following, you’re in a lot of trouble” according to self-published author Bob Mayer “Everyone already has a ton of things on their Kindle they haven’t opened".

“What is now being proven is that market is not infinitely elastic,” publishing industry consultant Mike Shatzkin wrote on his blog on New Year’s Eve. “It seems likely that the low-priced indie authors are disproportionately affected by KU. Who bought indie author ebooks in the first place? The price-sensitive reader! Who switches from buying individual ebooks to the subscription service first? The price-sensitive reader! In other words, the subscription service offering appeals most to the same audience as those who read indie-published ebooks.”

Meanwhile, Nate Hoffelder at The Digital Reader wondered whether ebook subscription services are only a problem for indie authors or whether they will be a problem for traditional publishers as well. Of course, one of the main reasons that publishers feared ebook subscriptions in the first place was that they worried such services would cannibalize individual paid sales.  

Like all the other self-published authors, I noticed my sales were dwindling and there were few KU payments to compensate. So I unchecked the box that allows my titles to be read by Kindle Unlimited subscribers, only to find that it will take 90 days to become effective. And, of course, I was only 4 days into the next 90 days period, so I can look forward to poor sales until March. 

If Amazon continues to favour the reader over the author, one wonders what will happen down the line. Authors will no doubt pull out of Amazon altogether. There are other places to self-publish. As long as readers seek the cheapest form of reading, they will continue to use Amazon - until the stock available becomes so mediocre they too will go elsewhere.



 

Thursday, 7 November 2013

Amazon's latest deal



Have you heard that a new deal allows independent booksellers to sell Kindles and get a 10% commission on e-book sales with that device for up to 2 years after the sale?

Called Amazon Source, this deal is only available in the US so far, but there are suspicions that it won't be long before it moves across the Atlantic.

Tim Walker of Walker bookshops wonders why Amazon have taken this step, and suggests that selling Kindle devices would simply help convert people to using Kindles.

David Dawkins manages Pages of Hackney. he won't stock the Kindle and wouldn't want his customers to think he as trading with the bad guys.

Sheila O'Reilly of Dulwich Books thinks she couldn't morally stock Kindles because the company does not pay appropriate taxes in this country.

Jane Streeter of the Bookcase thinks it was inevitable that Amazon wants to partner the independents because Kobo offered a similar service. The 10% commission offered by Amazon is said to be a little higher than Kobo's offer.

Lisa Campbell's article quotes opinions of bookshop owners that I believe operate in the south, possibly all in London - though I have not checked this to be sure. My thought is that there may be many small independents in the midlands and the north who will be so close to closure that they will clutch at this as a lifeline when and if it is offered. Perhaps for that, Amazon deserves some credit? What do you think? At the very least I have a smidgen of admiration for the company that keeps on coming up with new ideas.
Here's the link to the article:

http://www.thebookseller.com/news/uk-indies-we-wont-stock-kindle.html?utm_source=twitterfeed&utm_medium=twitter

Wednesday, 9 January 2013

Self-publishing


Good news for self-published authors – 15% of the bestselling books on Kindle in 2012 were self-published via Amazon Kindle. The most successful Kindle author was Nick Spalding, with Love…from Both Sides and Love…and Sleepless Nights. Sales combined to make him the best-selling author. Hodder & Stoughton offered him a six-figure contract in October.
75 traditional publishers used Kindle. Since Kindle launched its self-publishing tool, 61 authors have sold over 50,000 copies of their books, 12 have sold in excess of 100,000 with 50 authors earning in excess of £50,000 and 11 of them earning more than £100,000.
The platform offers authors 70% royalty benefits.
The fact that millions of people received Kindles for Christmas can only be good news. Kindle book sales already exceed Amazon print sales in this country and with more Kindles around, sales are expected to rise even higher.
The titles of the top ten best-selling books are listed below:

1. Love... From Both Sides by Nick Spalding


2. Only the Innocent by Rachel Abbott

3. Love... And Sleepless Nights by Nick Spalding

4. One Cold Night by Katia Lief

5. Locked In by Kerry Wilkinson

6. Angel Killer by Andrew Mayne

7. Touch by Mark Sennen

8. Taunting the Dead by Mel Sherratt

9. The Tea Planter’s Daughter by Janet MacLeod Trotter

10. Here She Lies by Katia Lief

 

Monday, 18 June 2012

A talk, the torch and changes

Durham Cathedral
Had a great day with Jean Fullerton on Thursday and Friday. She came up from London to talk to our writers group, The Border Reivers and we all enjoyed a welcoming BBQ at the home of one of our members even though it was far to chilly to stand about outside. Only the actual barbie stood outside!
At one stage I thought the Olympic Torch going through Newcastle was going to jam up our arrangements for getting Jean back on time to the 4pm train to London, but all worked out well.

She spoke of cringing when she looked back at some of her early works (books that didn't get published) and I so sympathise with her, because I recently set out to get an old title ready to go up on Kindle and got quite a surprise as I started reading.

The storyline was fine, but there were signs of muddled motivation and a fair bit of repetition, not to mention some odd sentences here and there. As I read through I certainly cringed - and immediately started putting the thing right. Far After Gold has been truly re-edited over the last fortnight, ready for its second debut. I've almost re-written it!

The uploading process to Amazon had updates in April this year and the process certainly seem to work better for me than they did last time I tried it. I have a cover to sort, but in a few days, I'll chance uploading my story and see how it goes.

Monday, 16 January 2012

Self Publishing


There is still a lot of confusion about self-publishing out in the writing world and I suspect the lines are blurring again. There are various options:
  •  Pay someone to publish your book for you. This used to be called vanity publishing. Basically it doesn't matter how good or bad your book is, there is always someone who will publish it simply because you are paying them to do it.
  • Small independant firms, mostly in the US, may choose to take up your book and publish it in e-format. This route requires that you submit the usual partial chapters, synopsis, cover letter and sometimes a plan for how you intend to promote your book if it is published, by e-mail. Everything is done by e-mail. They pay all publishing costs, and you receive a royalty on sales. Editing standards are as variable as the reliability of the company, and the range goes from very good to dismal.
  • Larger independant firms, still mostly in the US, who have been around for a decade and have a stable of known authors on their books. They are as hard to break into as the big publishers. Submissions are often closed for months at a time.
  • Then there is the fairly new avenue of going with Amazon Kindle Direct Publishing programme. For this, you need a fairly good knowledge of formatting, but it is possible to upload a Word programme ms. onto Kindle all by yourself. You decide how much to charge for the book, provide the cover, write the blurb, and promote it yourself. You are managing director of your own publishing company, but you are also the skivvy who checks the books. Royalties depend on sales, but it costs you nothing to put your book up there.  Great for backlist, or for those tired of submitting, waiting, and getting rejections; or those books where the publisher has suddenly gone out of business, as happened with me. 

Wednesday, 7 December 2011

Kindle woes

Sometimes I wish I'd never started trying to publish this e-book to Kindle. The first one, Fair Border Bride, made me think it was so easy, but that was because I didn't realise the Table of Contents in that book wasn't properly linked. Oh, it links you to the chapter OK, but there's no link to the Table of Contents itself. You have to go to Cover, or Start, and click a couple of times to reach it. I don't think it's all that big a deal, personally, but now I've started this game, I'm persistant enough to want to get it right.
waterfall on the road to Lochinver
It will probably drive me insane before I'm done, and the worst thing of all is that I could be writing, which is much more fun. Perhaps I should  just pay someone to do it. When I think that Optical Express are saying I owe them money now that I've cancelled my contract on contact lenses because they couldn't manage their direct debits properly, it galls me to think I could have spent that money on getting the darn book published.

Perhaps I'll just concentrate on Matho for a bit. I'm going through the first volume, prior to sending it out again, and letting volume two lie dormant for a while, but I've written the fist chapter of volume three. It's tricky, getting back into the mindset of Tudor times again, and I have to keep remembering that not all readers are guaranteed to have read vols one and two. Still, it's a hell of a lot easier than trying to cope with Amazon Kindle, Mobipocket and HTML files that don't transfer hyperlinks.