Showing posts with label historicals. Show all posts
Showing posts with label historicals. Show all posts

Friday, 30 January 2026

Travel was no easy matter

 Friday Night Murder came out in July 2024. My first venture into the crime scene. I think it fits under the label of police procedural since it features Jess Carter leaving the Met and moving north to Hexham as Detective Inspector. On her very first day it snows, she's late for work and hears someone make a disparaging remark about a new Inspector who leaves the top force in the country  - what is wrong with her? Oh, and a dead body of a young girl is found in the snow....

Writing it was fun and the change of scene interesting. Research involved all sorts of investigations into signs of death, post mortems, weapons, all of which should puzzle anyone who ever checks the files on my computer. Also quite different to my usual research into fabrics and styles of the Regency, not to mention hair styles, types of carriages and distances between towns and cities and travelling between them. Travel was no easy matter in 1811 and I can see why most folk stayed at home all their lives.

I am now in the throes of final editing of Saturday Morning Murder which also features Jess Carter and Rory Harrison. Maybe it will be published on KDP by the end of February 25. I certainly hope so. I'm ready to move onto something else. Will there be a Sunday Night Murder? Possibly. It seems a shame to leave all that research unused! 

Saturday, 28 June 2025

I'm working on it!

 Corrections done! I am always amazed at how little things get missed until the published book pops up on my ipad!

 "brough" instead of brought, a period where it should not be, little, insignificant things...

All caught and corrected now. Not that there were hordes, but perhaps half a dozen things to alter. So now I suppose I must concentrate on getting the word out that it is available. The downside of the job, if I'm honest.

Once that is done I can get on with other things. Dusting, perhaps. Wiping off dirty finger marks on doors and other exciting things. Not very enticing, so maybe I'll do a little editing on an older book. I enjoy that when I start because it tells me that I have learned something about writing over the years! I seem to remember that when I first wrote my book about Finlay, it was something like 160,000 words. Right now it is down to 105k, and I'm still editing. I was very wordy at the start of my writing journey. Look out for a new edition of Alba is Mine soon. 

Saturday, 23 November 2013

Black Hole Country

A short walk already completed and a cup of coffee by my hand and I'm ready to go at 9.30 on a Saturday morning. Amazing.
I intended to do this yesterday, but got sidetracked by attending a Writers' group meeting at Ashington, where we had a lovely lunch, a good discussion and put some good plans in place for a Writers' Retreat Day  in May 2014. The lunch was remarkable for its variety and quality - there was one unforgettable lunch where fourteen people all decided to bring a quiche!

The only trouble is that the region east of Newcastle, between Newcastle and the coast, is rather like a Black Hole/Bermuda Triangle for me in the sense that I inevitably get lost either going, or returning and sometimes both. The same thing happened when I was lucky enough to share a ride in Hazel's car. We arrived happily in very good time and full of confidence decided we didn't need the sat nav for the way home. Mistake! We got snarled up in heavy traffic coming through Gosforth, a suburb of Newcastle, and I didn't get home until almost four o'clock. There was only just time to take the dog for a swift walk, before I typed up the notes of the meeting before I forgot the detail and then the clock and  dh's stomach suggested it was time to begin preparing a meal.

Which is why I'm really pleased to have a good chunk of working space in front of me now. I left my hero/heroine wet and bedraggled in a Viking longship about to sail up the Liffey to Dublin, (called Dyflin in that period) and I want to get back to them before they catch cold.

Monday, 9 September 2013

Stuck my nose out of bed this morning and hastily stuck it back in again. Cold! The air was cold, and so was my nose. Autumn, it seems, has arrived. Yet by midday, I was hot while walking the dog. Now, as I write this an hour later, it threatens to rain and it might be a good afternoon for working. We had a wonderful morning walk at the beach this week. Tim's first exposure to the sea....he trotted toward it, full of curiosity, and then......(see later this week!)

I have plucked up my courage and sent off two partials submissions on Capture a Queen, aka Matho's story, in the last month. Now comes the nail biting time of sitting and waiting for a response. Meanwhile, I have gone back to work on my next Viking story Blood Feud. Suitably exciting title, don't you think? It will pick up the character Oli from Far After Gold, when he has reached sixteen, and tell his story.  So far it is exciting, but I have to keep stopping and think how characters are going to get out of the difficulties I have given them. Usually I'm stuck for a day or two, and then the idea pops into my head while I'm asleep, or nearly asleep. Sometimes I forget it by the time I've woken up next morning, and Yes, I know I should keep a notepad and write the idea down, but really, that's just too much fuss when dh would be grumbling about the light being switched on, and the dog would wake up and come nosing around - and his nose is even colder than mine was this morning! If the idea is good, it will come again, or I'll remember it half way though the day.

So far I have seven books published, which surprises me sometimes. They all sell, some better than others, and the one with the most sex sells better than the rest, so I know what I have to do. They are all listed on the My Titles page on this blog. All historical, but for Shadows, which is set in contemporary France.

As I anticipated, it is now sheeting down. Good thing I didn't do any washing today!



Monday, 1 April 2013

Bad Guys, anyone?


How bad do bad guys have to be before they are unbelievable? These days such horrid crimes are committed in real life that almost anything might be considered believable in a fictional character. Not that I want to move into Stephen King territory with my current wip, not at all; but I find that most of my characters qualify for the label villain in some way. Perhaps I have a warped, villainous mind and create characters in my own likeness.

 Genre matters, too. A Thriller Villain surely has to be a worse villain than a Romance Villain. Your average villain in a Regency Romance needs some redeeming qualities, otherwise no heroine would love him, would she? I know certain women love a bad boy, but there's a limit - I hope. A villain facing Rebus in the grey streets of Edinburgh can be as wicked as he likes and he still won’t out-villain the villains we have in our society today.

 What about the villains who fill the pages of historical novels? We know that people suffered horrid deaths, lawfully applied. Documents list hideous facts of torture. But if my characters live in those times, will their senses will be less squeamish than mine? Does it depend on the mental toughness of the character? Not everyone would be bold and brave. In A Place Beyond Courage, Chadwick has a female character who is an absolute wimp - and very believable. Facts record that the Marchioness of Salisbury picked herself up and ran from the executioner who failed to deliver the first blow correctly, and ten more blows followed as he chased her. One has to hope that the tale has been more than a little embroidered, but it has a terrible ring of truth about it.

 I've come to the conclusion that the times about which we write dictate the villainy level of the characters. Tudor characters had to be tough to survive in their world and maybe I'm wrong to label them as villains. But they're turning out to have some villainous qualities. All of them. Uncomfortable as it is, I will have to sit very firmly my 21st century sensibilities and think Tudorish. Otherwise the book will never be finished.

 

Friday, 17 August 2012

Writing historicals

There's an interesting piece on writing historicals here for those who practice the art and those who enjoy reading them. Hilary Mantel has been speaking at the Edinburgh Writers' Conference recently about her trilogy on the life and death of Thomas Cromwell. She aims to have a turning point in every scene, she says. Lots of turning points. That's a good strategy, but difficult to achieve.

She also thinks it is difficult to give the reader historical information (ie background info) plus foreground information and character information as well.  I can see what she means. Add historical information for background, ie to set the scene in context of what is happening around the character, and critique groups start jumping up and down screaming Info Dump!

I exaggerate, of course, but there is a grain of truth here. The historical information must, it is claimed, be relevant to the character and their actions, and not inserted just because it is interesting in it's own right. But what of the claim that without a background setting, the character is meaningless? If he wanders through the story, swashbuckling left and right, but without reference to the happenings of the time, doesn't the story become a meaningless fantasy?

It's all in the balance, they claim. But my balance may want more historical detail than you do, and the person who lives next door might want no real history at all, but simply wants to skim through the story and wildly excited by the buckle and swash. I'm slowly learning to make more turning points, and to add my background information in an interesting, even lyrical way.
It's just a pity I didn't start all this thirty years earlier.

Wednesday, 18 May 2011

Something new and not-so-fresh

If I discount Matho's introduction in Till the Day Go Down, which was really Harry and Alina's story, the first book of Matho's story is Treason. I'm sending Treason out to agents, and although I'm still writing the follow-up, Defiance, I'm getting pretty close to the end. It is both a relief and sad at the same time. Relief that I'll be finished with it for a while before I go back and do a second draft, and sad because poor old Matho is not in a happy place at the moment.
I have plans aplenty for what I'll do in the gap between first and second drafts. First and foremost, the tennis season is almost upon us here in the UK and I for one will be glued to whatever scraps the BBC red button allows me of the French Open, the Aegon tournament and Wimbledon. Then we have a holiday in France - though I'll take the laptop with me, and continue snatches of work, and this blog, there. (I hope the mice haven't got stuck in any more toasters during my absence.)
About three years ago I wrote a story called Keep Trust, set in late Victorian England and after a couple of refusals sent it to an Advisory Service. Their comments were so disheartening that I put the story away and now and then looked at the comments. At first they made me angry, but now I can look at them and consider how to use them. To be honest, it hasn't taken me three years to reach this happy state - after the initial six months of gradually simmering down, I forgot about it and started writing about Matho. Now, I may be able to make something of it. I still haven't decided if I shall turn it into a historical mystery, or add more social realism. Evidently if I have a main character who is Lord Blank and also a hands-on mineowner, then that makes it an uncomfortable fit in the popular genres - and a reason agents etc won't want it.
And yet, we're always being told that they're looking for something new and fresh. If I add more social realism and omit some of the romance, maybe that will slot it into a different genre. I can only go with my own gut feeling...if only I could decide what that was...
So, with a nod to the gentry mineowners of the North-East, I add a photo of the nearby Causey Arch, said to be the oldest railway bridge in the world. Click http://en.wikipedia.org/wiki/Causey_Arch for more information.

Monday, 21 December 2009

Till the Day Go Down - first lines


Harry Wharton strolled across the cobbles of the square and smiled at the farm girls who eyed him speculatively across the market stalls. Flirtatious matrons offered tempting morsels of honeycomb along with bawdy suggestions and Harry, grinning at their good-humoured audacity, shook his head at them all and kept his eyes open for a local man who could tell him the secret ways through the Border. The quicker he got to Edinburgh, the sooner he could accomplish the business, return and claim his reward.
How hard could it be?
First, he must find a guide. Getting lost in the boggy, trackless wastes was not the way he wished to start his mission.
The minty green scent of recently pulled cabbages and peas fresh in the pod fought the more earthy smells of livestock penned since early morning. From somewhere close at hand drifted the mouth-watering aroma of hot eel pie. Harry’s nostrils flared, his stomach rumbled and he fumbled for the purse at his belt.
“But Mama, we need more ale. There’s little left. Buy a keg or two, do!”
The clear feminine voice wavered between wheedle and command and did not belong to a farm girl. Harry turned, uttered a soundless whistle and forgot about eel pie.
A black velvet bonnet tilted rakishly to one side of her head. High cheekbones, a neat nose and open brown eyes in a clear complexion. Wisps and strands of chestnut hair tangled about her ears, and as she turned he glimpsed a thick, lustrous brown plait between her shoulder blades. The square-necked green gown hugged her waist, flared over the curve of her hip and a frill of white showed at the tight cuff of her plain, practical sleeves. The long tasselled tabs of an embroidered girdle hung from her waist.
She radiated energy and purpose. Something shifted under Harry’s diaphragm, which was odd because he considered himself well used to ladies of quality. Less than three weeks ago he had flirted with court beauties on a daily basis, even bedded one or two during his service in the duke’s household.
“Please, Mama. Why do you hesitate?” Pleasant toned and with a fluency lacking in the rough accents around him, her voice held Harry’s attention as she turned to the servant beside her. “Joseph will take it to the cart, won’t you, Joseph?”
Joseph, a stalwart man in his fifties, hastily nodded agreement. The young woman swung back to her parent. Joseph kept his gaze on the cobbles and looked as if he struggled to maintain a respectful expression.
Harry smiled. She stood out among the ill-dressed crowds in the market square as if a shaft of sunshine followed her every movement and he was willing to bet that life would never be dull with that young lady around.
“Very well, dear.” The older woman sighed and gave up the struggle. “Two kegs, Joseph, if you please.”
Joseph bowed his head and turned away to make the transaction.
Dark lashes shadowed fine eyes. Harry traced the swooping line of her brows, so clear against her pale skin. An unexpected tightness in his throat caused him swallow hard and look away.
“Now, Mama, what about needles and yarn for those quilts we are to make this winter?”
He turned back in time to see the young woman gesture towards the stall at his side, which offered hanks of wool, yarns and silk threads in an array of colours. His first inclination was to move out of the away. Nay, he thought, stay. An hour’s banter before riding on to Edinburgh may prove an entertainment to beguile a boring day.
The familiar pleasure of the chase surged through his veins. He pretended to study the goods on offer, allowed a frown to cloud his brow and stared at the display in what he hoped was an artful show of great perplexity. A flash of green fabric swirled against his booted leg and his senses, already sharp, tightened another notch as the scent of roses reached him.
“Why, sir, do you hesitate over needles?” The soft gurgle of laughter at his elbow made him lift his head. Her smile was like quicksilver. “Mama and I could help you make a selection if you find it beyond you.”
“Alina! Hold your tongue!” The sharp words drew Harry’s gaze to the girl’s mother, who frowned at him.
He bowed to them both, and kept his head down for several respectful moments. Alina. Alina. Harry savoured the name and decided he liked it.
“The gentleman obviously needs assistance, Mama.”
“The stall owner is present, daughter, and will offer all the assistance he needs.”
At the snapped rejoinder, Harry stood straight and tall once more, and noticed Alina tilted her head to meet his gaze. Her smile took his breath away.
“I, er…I thought to take a small gift home for my sister, but…”
Jesu! He could not frame the simplest sentence, and her laughing brown eyes mocked his efforts. He shook his head, defeated. “I know nothing of needles.”
“See, Mama.” The young woman half-turned to her annoyed parent. “He does need our help. I thought he might.” The sun sparkled on the vagabond curls tangled like gold wires about her ears.
Harry rallied his scattered wits. What was the matter with him? He cleared his throat to give himself time to think.
But she was too swift for him. “You still look puzzled, sir. They are only needles and pins, not something the Good Lord has dropped from the sky.”
Ye Gods! She spoke as if he were a simpleton. The skin of Harry’s face prickled and burned. It was years since he had blushed at something a woman said to him. He inhaled through his nose, ignored her and turned his attention to the older woman. “I would be most grateful for your help, ma’am. I must admit pins and spindles have not figured overmuch in my education.”
The mother had been a beauty in her time. The square-necked black velvet gown did nothing to lighten the sallow hue of her complexion and the severe gable hood, still popular among those who once supported Queen Catherine, did nothing to brighten her countenance. Still, Harry saw a likeness to her daughter in the eloquent brown eyes and the line of her jaw even though the good woman’s expression remained stern.
She turned a quelling glance on Alina, as if warning her daughter to remain silent. “I suggest, sir, a package of needles such as—” she indicated a small silk-wrapped bundle with a gloved hand—“would be welcome to most young ladies.”
Harry offered a second casual yet elegant bow. “Thank you, ma’am. I appreciate your advice.”
She inclined her head. A jewel at her throat caught the light and the gauzy stuff of the hood hid her neck as she turned to the stallholder.
“Use a ribbon, Mary, since it is to be a gift.” She cast a calculating eye over Harry’s dark woollen doublet and rakish cap. “I am sure the young man has coin enough.”
Harry bristled under her sharp scrutiny. His brows lifted, and a retort sprang to his lips, but he caught sight of Alina’s commiserating smile behind her mother’s shoulder and forgot what he had been about to say.
The stallholder, who had remained silent throughout the exchange, beamed and bobbed a small curtsy.
Alina’s mother continued to regard Harry with condescension, and then glanced towards the stallholder once more. “We shall return to make our selection later, Mary.” She directed a regal nod to Harry. “Good day, young man.”
She shepherded her daughter away. It was obvious she intended to return when he was out of the way. Harry gritted his teeth, offered his most elegant bow and watched them go. He received a swift glance over her shoulder from the younger lady before the crowd took her away.
He turned to the stallholder. “Who was that?”
Shrewd blue eyes regarded him. “Fancy ye chances, lad? That was the lady of Aydon Hall. Margery Carnaby and her daughter Alina. They’re a-carin’ for Sir Reynold, him that’s ill and like to die soon.”
“Aydon? Just north of here?”
“Aye. Right by the Ay Burn. Ye’ll be a stranger to these parts yourself, sir?”
Harry saw no need to deny it. “Travelling north to Edinburgh.”
“Oh, aye. And ye’d be from Lonnun, then, sir?”
Harry practised his famous smile. There was no harm in letting everyone think he was from the south. In fact, it was to his advantage. “How’d ye guess?”
The woman relaxed, as they all did when he concentrated on them. The heavy wool shawl draping her shoulders moved as she shrugged. “Ye don’t sound as if ye come from these parts. Ye sound more like gentry. I thought o’ Lonnun, that’s all.”
“It is quieter hereabouts than London.”
Mary handed him a neatly wrapped package and named her price. He counted out coins into her palm, aware she eyed him up and down. “Quiet, d’ye think, lad? It’s but a hundred miles to Edinburgh, and ye’ll travel some o’ the most dangerous land in the country to get there.”
Harry’s hands stopped moving, and his gaze rose from the coins to the woman’s rosy, thread-veined face and dark curls.
“Dangerous for everyone, or just for me?”
Mary choked back a laugh. “There’s outlaws and broken men up in’t hills, my bonny lad, and they’ll shake loose the Border whenever they take a fancy to dee it. They’ll not stop to ask ye name, never mind ye destination, before they slit ye throat and ride off wi’ ye purse.” She looked him up and down. “They’ll no’ forget ye sword nor ye dagger, either, nor that bonny jewel in your cap. Nekkid as a babe ye’ll be, when those limmers leave ye.”
He resumed counting out coins into her plump hand. “I’d best take care how I ride then,” he said. “For ride I will.”
Her blue eyes twinkled. “Luck be wi’ye, sir.”


The opening lines of Till the Day Go Down, available now from bookshops and online.

Thursday, 2 July 2009

Shields of Pride

Brilliant summer weather again, but these warm
nights make sleeping difficult. Good thing I have unread books to hand when the clock hands move on to two and three in the morning, otherwise I'd be demented come morning!
Last night I finished Shields of Pride by Elizabeth Chadwick. It was first published in 1994 so she has "refurbished it" for re-issue in 2007. The style of her writing and the story lines she selects are a little different now, but not a great deal. I enjoyed this story of Linnet and Joscelin (I must admit I had trouble with that name for a hero. I had a female friend called Jocelyn, and almost every time I saw the name in print I stopped reading and had to remind myself "that's the hero.")
The arc of the story is their romance, from first meeting to settled happy relationship after the first child, with all the near disasters early medieval life can throw at them. The difference between this and an M&B type romance is that the mindset of the characters is very much medieval, as opposed to the newer M&B type historicals where heroines in particular are very much this century constrained by their some aspect of their setting - which they soon overthrow.
Scene setting may be easier for medieval hsitoricals, when the differences between 1200 and 2000 are so very much greater than 1800 and 2000, but I do prefer it when author takes the trouble to give me an authentic flavour of what life was truly like in the time period she has chosen to write about. For one thing, it almost cures me of the dream that I would like to have lived back in history. For another, it is pure reading pleasure, and ensures that I won't, with a curl of the lip, be throwing the book across the room.

Thursday, 11 June 2009

Characters and countryside


I love the recent change in the countryside. Fields are starting to look as they did in my childhood instead of the barren, weed and flower free zones they have been for so many years. The characters in my wip must have enjoyed flower meadows and hawthorn blossom just as I do. Buttercups are rampant at the moment.
The fact that my characters "live" not far from me, geographically speaking, means that I can easily visualise the places where I have them walking and riding, and I love that. I know a lot of research can be done via the research tools we have available today, but nothing, in my view, beats actually walking the ground you want your characters to tread. And some authors simply do not make use of Google Earth or the wonderful maps we have of this country, and I wish they did.
My current characters are suffering at the moment, and will be for some time to come - but I know I can bring them to a happy conclusion, so I am not weeping copious tears. It is a change of pace I am attempting - not adding more, but going deeper. Though yes, I suppose I am am adding more, for now I have shed the M&B contraints, I can look at subsiduary characters and bring them into play. I started out five years ago with multiple characters, and shed them all to concentrate on the H/h for M&B - now I'm back to where I started!
I am enjoying it. I think. Yes, I know I am. No more excited gasps or electric touches every time the hero walks into the room; now I can try and find out what my characters really think and feel about each other.
It may be something to do with the covers and titles of M&B Historicals these days but I am very reluctant to pick one off the shelves. If the covers continue to scream "erotica" and the titles follow the trend towards the Billionaire's Problem Bride/Her Noble Love kind of simplicity then I won't be buyng any more, which is a pity for there are some authors I enjoy - Cornick, Allen, Maitland - among the "pseudo" historicals ie, those with modern manners. dialogue and plot lines plonked down in Regency times. Yes, I know some people enjoy that sort of story, but they're not for me.

Friday, 22 August 2008

Quaestor2000


I have added three new names to my list of links today. One for Quaestor, my new publisher, and two gentleman who have also been signed up with me. Brian and Alistair write historicals - in fact Quaestor publish only historical novels in their fiction range. At last - a publisher who actively seeks to publish historical fiction!
I was in Corbridge yesterday enjoying a brief spell of sunshine in between the rain showers, and spotted this bold yellow beauty growing through a wall. I've no idea how thick the wall is, but it is about eight feet high, and certainly no crumbling, disintegrating structure. Yet here was this flower pushing its way though the stone and cement, reaching for the sun. If that isn't Persistance, then I don't know what is. It could be an icon for all struggling authors - keep going through the darkness - you never know when you'll see the sun!

Saturday, 9 August 2008

A new contract!

Picture me happy!
I have just signed and returned a contract for publication with Quaestor2000!

The title in question is Far After Gold - a Viking story I finished almost two years ago. At this moment I know very little, except that the contract is for "book publication in the UK within the next 12 months."
The company is taking up a new strand of their business in publishing historicals, and while it may be a bit of a risk, it is also exciting. Perhaps soon now I'll have an Editor again! How exciting! I wonder if the title will change? I took it from an old saying : A man travels far after gold.